Tsp2000-11-04: Difference between revisions
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| 12,000 | | 12,000 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes | ||
|- | |||
! align="left" | Order of Bands | |||
| Catherine Wheel, The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 116m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |- | ||
! align="left" | | ! align="left" | Live Music Archive | ||
| | | [http://www.archive.org/details/tsp2000-11-04.shn 16-bit download] | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 54: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>M1 | | SS-DSM-6S > PA-6LC3 > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 60: | Line 63: | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | No | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M | | DAT-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-04.DSM-6S.M1.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Dropout in Ava Adore. Superior to other sources. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>Att(- | | CSBMod > Att(-20db) > MZ-R91 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| 115m | | 31m (soundcheck)<br />115m (show) | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 83: | Line 92: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M> | | MD-? > CDR (soundcheck)<br />MD-M > FLAC(show | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-04.flac16 16-bit download (soundcheck)]<br>[http://www.archive.org/details/tsp2000-11-04.csb.flac16 16-bit download (show)] | |||
|- | |- | ||
! | ! align="left" | Notes | ||
| Superior to other recordings. MD-M > CDR transfer also circulates. Soundcheck recorded from outside, Siva cuts in. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
Line 96: | Line 109: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SS-DSM-6 > TCD-D100 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 116m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-2 > dEdit > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-11-04.DSM-6.D100.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Rear. | |||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
Line 113: | Line 137: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBMod > TCD-D100 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~115m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
Line 133: | Line 154: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | headphones > MS702 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| 30 meters from stage, right | | 30 meters from stage, right side. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MiniDV | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
Line 171: | Line 192: | ||
* Games Without Frontiers [Gabriel] (take one) | * Games Without Frontiers [Gabriel] (take one) | ||
* Games Without Frontiers [Gabriel] (take two) | * Games Without Frontiers [Gabriel] (take two) | ||
* Let Me Give the World to You | * Let Me Give the World to You (take one) | ||
* ( | * Let Me Give the World to You (take two) | ||
* Let Me Give the World to You (take three) | |||
Set: | Set: | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
Line 182: | Line 204: | ||
* Cherub Rock | * Cherub Rock | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
** (drum solo) | |||
* Zero | * Zero | ||
* Rock On [Essex] | * Rock On [Essex] | ||
Line 191: | Line 214: | ||
* Tonight, Tonight | * Tonight, Tonight | ||
* Let Me Give the World to You | * Let Me Give the World to You | ||
* Drown | * Drown [4:31] | ||
** Porcelina of the Vast Oceans | ** Porcelina of the Vast Oceans [9:50] | ||
Encore: | Encore: | ||
* Games Without Frontiers [Gabriel] | * Games Without Frontiers [Gabriel] | ||
* Smoke on the Water [Deep Purple] (tease) | * Smoke on the Water [Deep Purple] (tease) | ||
* Celebrity Skin [Hole] (tease) | * Celebrity Skin [Hole] (tease) | ||
* Iron Man [Black Sabbath] (tease) | * Iron Man [Black Sabbath] (tease) | ||
* Whole Lotta Love [Led Zeppelin] (tease) | * Whole Lotta Love [Led Zeppelin] (tease) | ||
* God Save | * God Save the Queen [traditional] (tease) | ||
** Star Spangled Banner [Key] (tease) | ** Star Spangled Banner [Key] (tease) | ||
* Ava Adore | * Ava Adore | ||
** Sunshine | ** Sunshine of Your Love [Cream] (tease) | ||
** (blues jam) | ** (blues jam) | ||
=== Notes === | |||
* To Sheila, Today, and This Time performed acoustic | |||
* First performance of Games Without Frontiers | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
(unknown) | Silent Machines Intro<br> | ||
'''The Everlasting Gaze'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''The Sacred and Profane'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you very much, good evening, good evening, good evening, good evening, good evening. Welcome to our very last show in London, thank you very much for coming.<br> | |||
Iha: They’re cheering, “Don’t come to London anymore.”<br> | |||
BC: Huh?<br> | |||
Iha: They’re cheering, “Don’t come to London anymore.”<br> | |||
BC: Right. Oh, James. We’d like to thank...<br> | |||
Iha: I’m kidding!<br> | |||
BC: We’d like to thank the Catherine Wheel very much for opening for our band, thank you very much Catherine Wheel.<br> | |||
Iha: Fine band.<br> | |||
BC: Nice young lads. We’d now like to play a song for you, a song that is very close to my heart, this is a song called Stand Inside Your Love.<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Cherub Rock'''<br> | |||
> '''Blue Skies Bring Tears'''<br> | |||
'''Zero'''<br> | |||
> '''Rock On''' (partial)<br> | |||
(BC after Iha intro: Alright alright alright alright alright alright alright alright. Hold on, Spooky Tooth. Ladies and gentlemen, we realize that this is a rock and roll party. But there’s always that moment in the party where you have to go to the bathroom and you have to just kick it down for a minute. That’s what this is, this is your kick it down for a minute minute. A chance to breathe, a chance to think, a chance to reflect. On what, you say? What should I reflect on? Why, rock and roll, that’s what you should reflect on. Long live rock and roll, rock and roll. Yeah. It was great, heh heh. It was really great while it lasted, rock and roll. This song is uh, this song is probably a little bit before your time. Uh, we heard this when we were children, back in 1954 and uh, you might uh, know this one but uh, feel free to sing along if you know it. But don’t expend too much energy, there’s more rock to come, you may want to pace yourself. I know James is pacing himself. Ladies and gentlemen, Mr. James Iha. ''(Iha solos)'' Alright alright. Mother? Ha.)<br> | |||
> '''Heavy Metal Machine'''<br> | |||
BC: Thank you very much, thank you. Thank you. Heh heh heh.<br> | |||
'''To Sheila''' (acoustic)<br> | |||
'''Today''' (acoustic)<br> | |||
'''Boys Don’t Cry''' (instrumental tease, acoustic)<br> | |||
> '''This Time''' (Billy/Iha acoustic)<br> | |||
'''Tonight, Tonight'''<br> | |||
> '''Let Me Give the World to You'''<br> | |||
BC: That is available on Machina II. Uh, available in all stores now. Thank you, heh heh. How’s everybody doin’, how y’all doin’? We’d like to play a very old song for you now. This is a song called Drown.<br> | |||
'''Drown'''<br> | |||
> '''Porcelina of the Vast Oceans'''<br> | |||
[encore break]<br> | |||
'''Games Without Frontiers'''<br> | |||
BC: That was a song by Peter Gabriel, thank you very much, Peter. Yes. Thank you very much, heh heh heh.<br> | |||
Iha: Thank you very much. I would like - I would like to introduce the band at present. On the piano, a legendary man, all the way from Brooklyn, New York, Mr. Mike Garson.<br> | |||
'''Smoke on the Water''' (tease)<br> | |||
Iha: Ah yeah. ''(high pitched)'' Ah yeah! ''(normal)'' On the keyboards, electronic sounds and space sounds, Mr. Chris Holmes.<br> | |||
'''unknown tease'''<br> | |||
Iha: Yeah. On the bass, all the way from Montreal, Canada, the red fiery vixen herself, Miss Melissa Auf der Maur.<br> | |||
'''Celebrity Skin''' (tease)<br> | |||
Iha: “Look at my fucking bass.” On the brutal, brutal drums, the cruiser, the bruiser himself, Mr. Jimmy Chamberlin.<br> | |||
'''Iron Man''' (tease)<br> | |||
Iha: Oooooh. On lead vocal duties, lead guitar, craziness, sonic destruction, Mr. Billy Corgan!<br> | |||
'''Whole Lotta Love''' (tease)<br> | |||
Iha: That’s right.<br> | |||
BC: What the fuck is your name again?<br> | |||
Iha: Uh.....<br> | |||
BC: I’m sorry, I’m sorry, I’m sorry, I’m sorry, I’m sorry. I didn’t mean that, I didn’t mean that, don’t get mad.<br> | |||
Iha: A man...<br> | |||
BC: Don’t - don’t get mad.<br> | |||
Iha: ...to speak freely.<br> | |||
BC: Don’t get mad!<br> | |||
Iha: Just be cool, just play the - just play the riffs.<br> | |||
BC: Don’t get mad! Don’t get mad! No no, I’m sorry.<br> | |||
Iha: Alright.<br> | |||
BC: I’m sorry!<br> | |||
Iha: I am the....<br> | |||
BC: No no, really, I’m sorry.<br> | |||
Iha: I’m trying to think of a local dignitary.<br> | |||
BC: Huh?<br> | |||
Iha: I’m trying to think of a colorful name.<br> | |||
BC: Jack Straw.<br> | |||
Iha: Alright, there it is.<br> | |||
BC: He’s the home MP, right?<br> | |||
Iha: Yes.<br> | |||
BC: He’s doing a fine job!<br> | |||
Iha: Wasn’t there a - wasn’t there some MP that got robbed the other day of 50 pounds?<br> | |||
BC: Yes. Some...British thugs attacked him...<br> | |||
Iha: Seems like people are robbed every day.<br> | |||
BC: ...took his money! And he’s very upset about it!<br> | |||
Iha: People are robbed every day but that was - that was front page news.<br> | |||
BC: No, did you see the front page news where Fatboy Slim almost died?<br> | |||
Iha: I saw that!<br> | |||
BC: God bless....<br> | |||
Iha: I mean, that’s horrible but that’s front page news.<br> | |||
BC: Fatboy and Zoe survived and we’re very - Fatboy is great.<br> | |||
Iha: “The couple of the millennium...saved!”<br> | |||
BC: But see, in America, Fatboy just getting out of his car, that would be not be front page news.<br> | |||
Iha: No.<br> | |||
BC: In America, a girl giving the president a blowjob? That’s front page news.<br> | |||
Iha: God bless America.<br> | |||
BC: In America, the presidential candidate, George W. Bush, drunk driving, front page news.<br> | |||
Iha: Front page news. He didn’t want to tell anybody because he was afraid of shocking his daughters about his driving record.<br> | |||
BC: Oh.<br> | |||
Iha: Now it seems that some of his economic policies are be more shocking.<br> | |||
BC: Okay, heh heh heh.<br> | |||
Iha: Okay, alright, let’s....<br> | |||
BC: God bless Great Britain!<br> | |||
Iha: You wanna hear Zeppelin?<br> | |||
'''God Save the Queen''' (tease - Mike)<br> | |||
BC: The Queen. Oh, that’s what it was? One more time, sorry.<br> | |||
'''God Save the Queen''' (tease - Mike)<br> | |||
> '''Star Spangled Banner''' (tease - Billy)<br> | |||
(Iha: [unintelligible]. It’s the motherfuckin’ national anthem!)<br> | |||
> '''Ava Adore''' (w/Sunshine of Your Love tease in intro)<br> | |||
(BC after first 2 parts of intro: I just wanna say...Jack Straw could not do this.)<br> | |||
> '''blues jam'''<br> | |||
</blockquote> | </blockquote> | ||
Line 214: | Line 336: | ||
[[Image:20001104.jpg|125px|left]] | [[Image:20001104.jpg|125px|left]] | ||
[[Image:001104-01.jpg|125px|left]] | [[Image:001104-01.jpg|125px|left]] | ||
[[Image:tsp2000-11-04.jpg|250px|left]] |
Latest revision as of 03:35, 6 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-11-04 |
Venue | Wembley Arena |
Location | London, UK |
Venue Type | Arena |
Capacity | 12,000 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes |
Order of Bands | Catherine Wheel, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 116m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1(48k) |
Length | 115m |
Complete? | No |
Lowest Circulating Generation | DAT-M > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Dropout in Ava Adore. Superior to other sources. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > Att(-20db) > MZ-R91 |
Length | 31m (soundcheck) 115m (show) |
Complete? | Yes |
Lowest Circulating Generation | MD-? > CDR (soundcheck) MD-M > FLAC(show |
Live Music Archive | 16-bit download (soundcheck) 16-bit download (show) |
Notes | Superior to other recordings. MD-M > CDR transfer also circulates. Soundcheck recorded from outside, Siva cuts in. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6 > TCD-D100 |
Length | 116m |
Complete? | Yes |
Lowest Circulating Generation | DDC-2 > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Rear. |
Unsurfaced Recordings | |
AUD #5 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > TCD-D100 |
Length | ~115m |
Complete? | Unknown |
AUD #6 | |
Source | AUD |
Format | MD |
Equipment | headphones > MS702 |
Length | ~115m |
Complete? | Unknown |
Notes | 30 meters from stage, right side. |
AMT #1 | |
Source | AUD |
Format | MiniDV |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
Notes | Close to stage on right, minor obstructions. |
Setlist
Soundcheck:
- Siva
- Games Without Frontiers [Gabriel] (take one)
- Games Without Frontiers [Gabriel] (take two)
- Let Me Give the World to You (take one)
- Let Me Give the World to You (take two)
- Let Me Give the World to You (take three)
Set:
- The Everlasting Gaze
- Bullet with Butterfly Wings
- The Sacred and Profane
- Glass and the Ghost Children
- Le Deux Machina (tease)
- Stand Inside Your Love
- Cherub Rock
- Blue Skies Bring Tears
- (drum solo)
- Zero
- Rock On [Essex]
- Heavy Metal Machine
- To Sheila
- Today
- Boys Don't Cry [The Cure] (tease)
- This Time
- Tonight, Tonight
- Let Me Give the World to You
- Drown [4:31]
- Porcelina of the Vast Oceans [9:50]
Encore:
- Games Without Frontiers [Gabriel]
- Smoke on the Water [Deep Purple] (tease)
- Celebrity Skin [Hole] (tease)
- Iron Man [Black Sabbath] (tease)
- Whole Lotta Love [Led Zeppelin] (tease)
- God Save the Queen [traditional] (tease)
- Star Spangled Banner [Key] (tease)
- Ava Adore
- Sunshine of Your Love [Cream] (tease)
- (blues jam)
Notes
- To Sheila, Today, and This Time performed acoustic
- First performance of Games Without Frontiers
Banter
Silent Machines Intro
The Everlasting Gaze
> Bullet with Butterfly Wings
The Sacred and Profane
Glass and the Ghost Children
BC: Thank you very much, thank you very much, good evening, good evening, good evening, good evening, good evening. Welcome to our very last show in London, thank you very much for coming.
Iha: They’re cheering, “Don’t come to London anymore.”
BC: Huh?
Iha: They’re cheering, “Don’t come to London anymore.”
BC: Right. Oh, James. We’d like to thank...
Iha: I’m kidding!
BC: We’d like to thank the Catherine Wheel very much for opening for our band, thank you very much Catherine Wheel.
Iha: Fine band.
BC: Nice young lads. We’d now like to play a song for you, a song that is very close to my heart, this is a song called Stand Inside Your Love.
Stand Inside Your Love
Cherub Rock
> Blue Skies Bring Tears
Zero
> Rock On (partial)
(BC after Iha intro: Alright alright alright alright alright alright alright alright. Hold on, Spooky Tooth. Ladies and gentlemen, we realize that this is a rock and roll party. But there’s always that moment in the party where you have to go to the bathroom and you have to just kick it down for a minute. That’s what this is, this is your kick it down for a minute minute. A chance to breathe, a chance to think, a chance to reflect. On what, you say? What should I reflect on? Why, rock and roll, that’s what you should reflect on. Long live rock and roll, rock and roll. Yeah. It was great, heh heh. It was really great while it lasted, rock and roll. This song is uh, this song is probably a little bit before your time. Uh, we heard this when we were children, back in 1954 and uh, you might uh, know this one but uh, feel free to sing along if you know it. But don’t expend too much energy, there’s more rock to come, you may want to pace yourself. I know James is pacing himself. Ladies and gentlemen, Mr. James Iha. (Iha solos) Alright alright. Mother? Ha.)
> Heavy Metal Machine
BC: Thank you very much, thank you. Thank you. Heh heh heh.
To Sheila (acoustic)
Today (acoustic)
Boys Don’t Cry (instrumental tease, acoustic)
> This Time (Billy/Iha acoustic)
Tonight, Tonight
> Let Me Give the World to You
BC: That is available on Machina II. Uh, available in all stores now. Thank you, heh heh. How’s everybody doin’, how y’all doin’? We’d like to play a very old song for you now. This is a song called Drown.
Drown
> Porcelina of the Vast Oceans
[encore break]
Games Without Frontiers
BC: That was a song by Peter Gabriel, thank you very much, Peter. Yes. Thank you very much, heh heh heh.
Iha: Thank you very much. I would like - I would like to introduce the band at present. On the piano, a legendary man, all the way from Brooklyn, New York, Mr. Mike Garson.
Smoke on the Water (tease)
Iha: Ah yeah. (high pitched) Ah yeah! (normal) On the keyboards, electronic sounds and space sounds, Mr. Chris Holmes.
unknown tease
Iha: Yeah. On the bass, all the way from Montreal, Canada, the red fiery vixen herself, Miss Melissa Auf der Maur.
Celebrity Skin (tease)
Iha: “Look at my fucking bass.” On the brutal, brutal drums, the cruiser, the bruiser himself, Mr. Jimmy Chamberlin.
Iron Man (tease)
Iha: Oooooh. On lead vocal duties, lead guitar, craziness, sonic destruction, Mr. Billy Corgan!
Whole Lotta Love (tease)
Iha: That’s right.
BC: What the fuck is your name again?
Iha: Uh.....
BC: I’m sorry, I’m sorry, I’m sorry, I’m sorry, I’m sorry. I didn’t mean that, I didn’t mean that, don’t get mad.
Iha: A man...
BC: Don’t - don’t get mad.
Iha: ...to speak freely.
BC: Don’t get mad!
Iha: Just be cool, just play the - just play the riffs.
BC: Don’t get mad! Don’t get mad! No no, I’m sorry.
Iha: Alright.
BC: I’m sorry!
Iha: I am the....
BC: No no, really, I’m sorry.
Iha: I’m trying to think of a local dignitary.
BC: Huh?
Iha: I’m trying to think of a colorful name.
BC: Jack Straw.
Iha: Alright, there it is.
BC: He’s the home MP, right?
Iha: Yes.
BC: He’s doing a fine job!
Iha: Wasn’t there a - wasn’t there some MP that got robbed the other day of 50 pounds?
BC: Yes. Some...British thugs attacked him...
Iha: Seems like people are robbed every day.
BC: ...took his money! And he’s very upset about it!
Iha: People are robbed every day but that was - that was front page news.
BC: No, did you see the front page news where Fatboy Slim almost died?
Iha: I saw that!
BC: God bless....
Iha: I mean, that’s horrible but that’s front page news.
BC: Fatboy and Zoe survived and we’re very - Fatboy is great.
Iha: “The couple of the millennium...saved!”
BC: But see, in America, Fatboy just getting out of his car, that would be not be front page news.
Iha: No.
BC: In America, a girl giving the president a blowjob? That’s front page news.
Iha: God bless America.
BC: In America, the presidential candidate, George W. Bush, drunk driving, front page news.
Iha: Front page news. He didn’t want to tell anybody because he was afraid of shocking his daughters about his driving record.
BC: Oh.
Iha: Now it seems that some of his economic policies are be more shocking.
BC: Okay, heh heh heh.
Iha: Okay, alright, let’s....
BC: God bless Great Britain!
Iha: You wanna hear Zeppelin?
God Save the Queen (tease - Mike)
BC: The Queen. Oh, that’s what it was? One more time, sorry.
God Save the Queen (tease - Mike)
> Star Spangled Banner (tease - Billy)
(Iha: [unintelligible]. It’s the motherfuckin’ national anthem!)
> Ava Adore (w/Sunshine of Your Love tease in intro)
(BC after first 2 parts of intro: I just wanna say...Jack Straw could not do this.)
> blues jam