Bc2005-07-07: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Club | | Club | ||
|- | |||
! align="left" | Capacity | |||
| 2000 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Walker, Strawberry, Lisegang | |||
|- | |||
! align="left" | Order of Bands | |||
| Doris Henson, The Crimea, Billy Corgan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
| Line 22: | Line 31: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | Hi-MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSC(LC)>MZ-RH10 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| Line 34: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | MD-M>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/bc2005-07-07.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Beginning of Bit 5 cut. | | Right of center, 40 feet back. Beginning of Bit 5 cut. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
| Line 57: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MPG(M) | | MPG-M | ||
|- | |||
! align="left" | Notes | |||
| Clips of Mina Loy (M.O.H.) and All Things Change. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #2 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Mini DV | |||
|- | |||
! align="left" | Equipment | |||
| JVC DVL805 | |||
|- | |||
! align="left" | Length | |||
| 47m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MiniDV-M>DVD | |||
|- | |||
! align="left" | Video Link | |||
| [https://youtu.be/_UaatfGHH_Y YouTube] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Starts during I'm Ready and cuts after Walking Shade. Taper stops recording between songs. Filmed from the left side of the pit, about 20 rows back. Mini DV>WAV>FLAC also circulates | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
| Line 73: | Line 111: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Oktava | | Oktava MC012>UA-5 (P-Mod)>PDAudio>iPaq 3835(24/48) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| Line 82: | Line 120: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Front of board. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT # | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #3 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 102: | Line 140: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Someone was showing off a recording they made on a camcorder from the balcony after the show, but nobody got this person's contact info. | | Someone was showing off a recording they made on a camcorder "from the balcony" after the show, but nobody got this person's contact info. This could actually be AMT #2. | ||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* Bit 4 | * Bit 4 | ||
* Now (And Then) | * Now (And Then) | ||
* I'm Ready | * I'm Ready | ||
* Mina Loy (M.O.H.) | * Mina Loy (M.O.H.) | ||
* To Love Somebody [Bee Gees] | * To Love Somebody [The Bee Gees] | ||
* A100 | * A100 | ||
* I Want You | * I Want You [The Troggs] | ||
** Pride (In the Name of Love) [U2] | ** Pride (In the Name of Love) [U2] (tease) | ||
* Johanna [ | * Johanna [Pop/Williamson] | ||
* DIA | * DIA | ||
* Pretty, pretty STAR | * Pretty, pretty STAR | ||
| Line 124: | Line 163: | ||
* All Things Change | * All Things Change | ||
Encore One: | Encore One: | ||
* I'm | * I'm a King Bee [Moore] | ||
** Turning Japanese [The Vapors] (tease) | |||
** Today (tease) | ** Today (tease) | ||
* It's | ** Star Spangled Banner [Key] (tease) | ||
* It's a Long Way to the Top (If You Wanna Rock 'n Roll) [AC/DC] | |||
Encore Two: | Encore Two: | ||
* Bit 5 | * Bit 5 | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Bit 4 Intro<br> | ||
'''Now and Then'''<br> | |||
'''I’m Ready'''<br> | |||
'''M.O.H.'''<br> | |||
'''To Love Somebody'''<br> | |||
'''A100'''<br> | |||
'''I Want You / Pride'''<br> | |||
'''Johanna'''<br> | |||
BC: Good evening. Thank you very much for coming.<br> | |||
'''DIA'''<br> | |||
'''Pretty, Pretty Star'''<br> | |||
'''Bit 7'''<br> | |||
'''Strayz''' (Billy solo)<br> | |||
BC: [unintelligible noise.] Thank you very much, thank you. I was just trying to see how sad I could make you. How low can you go? There’s, uh, some gentlemen over here that keep holding up a Rams banner. ... Does Georgia Frontiere still own the Rams? She’s kinda hot. There’s something about a woman with like 300 million that just turns me on. 400 million. Heh. How y’all doin’, you alright? You know, I have to tell you that, um, that, uh, when we originally made a tour, there was no date here, you know. And I said, “What about St. Louis?” ''(long crowd cheer)'' And then about, about a month ago, I get this phone call, “Those tickets ain’t sellin’ in St. Louis. They got no, uh, they only got classic rock down there, they don’t play alternative any more.” Heh heh heh. I mean they have like a - they have one of those channels that plays all those bands all the time but.... Whatever those bands are called. All those bands with tattoos, whatever they’re called. And, um, then I start going “Dang it, why did I want to go to St. Louis? No one’s going to show up at the show.” And then here you are! ... Heh heh.<br> | |||
'''Walking Shade'''<br> | |||
'''The Camera Eye'''<br> | |||
'''All Things Change'''<br> | |||
BC: Thank you very much, god bless you.<br> | |||
[encore break]<br> | |||
'''I’m a King Bee'''<br> | |||
> '''It’s a Long Way to the Top'''<br> | |||
BC: Thank you! Thank you, St. Louis.<br> | |||
[encore break]<br> | |||
'''Bit 5'''<br> | |||
[bow]<br> | |||
BC: Thank you very much, thank you very much. I don’t - I don’t have much to say, uh, that I didn’t already say in all those songs but, heh, excuse me, I’m talking. Uh, heh heh, I just wanna say that, uh, that, uh, this life I’ve chosen is kind of strange, I’m not always sure it’s a good idea but...but, shows like this, you reconfirm my faith to my job. So I’m - I’m very humbled by your love and support tonight, it’s been fantastic. And, uh, you know, next time I’m here when I’m playing at the Enormodome...or wherever, heh heh heh. ... All I gotta say is, uh, next time you see me out this way I will be crushing you into the dust with the metal. ''(mic drop)''<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | |||
[[Image:05XXXX-Poster.jpg|125px|left]] | |||
Latest revision as of 01:28, 13 July 2022
| Billy Corgan | |
|---|---|
| Date | 2005-07-07 |
| Venue | The Pageant |
| Location | Saint Louis, MO, US |
| Venue Type | Club |
| Capacity | 2000 |
| Lineup | Corgan, Walker, Strawberry, Lisegang |
| Order of Bands | Doris Henson, The Crimea, Billy Corgan |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | Hi-MD |
| Equipment | CSC(LC)>MZ-RH10 |
| Length | 88m |
| Complete? | No |
| Lowest Circulating Generation | MD-M>FLAC |
| Live Music Archive | 16-bit download |
| Notes | Right of center, 40 feet back. Beginning of Bit 5 cut. |
| AMT #1 | |
| Source | AUD |
| Format | MPG |
| Equipment | Digital Camera |
| Length | 1m |
| Complete? | No |
| Lowest Circulating Generation | MPG-M |
| Notes | Clips of Mina Loy (M.O.H.) and All Things Change. |
| AMT #2 | |
| Source | AUD |
| Format | Mini DV |
| Equipment | JVC DVL805 |
| Length | 47m |
| Complete? | No |
| Lowest Circulating Generation | MiniDV-M>DVD |
| Video Link | YouTube |
| Notes | Starts during I'm Ready and cuts after Walking Shade. Taper stops recording between songs. Filmed from the left side of the pit, about 20 rows back. Mini DV>WAV>FLAC also circulates |
| Unsurfaced Recordings | |
| AUD #2 | |
| Source | AUD |
| Format | WAV |
| Equipment | Oktava MC012>UA-5 (P-Mod)>PDAudio>iPaq 3835(24/48) |
| Length | Unknown |
| Complete? | Unknown |
| Notes | Front of board. |
| AMT #3 | |
| Source | AUD |
| Format | VID |
| Equipment | Unknown |
| Length | Unknown |
| Complete? | Unknown |
| Notes | Someone was showing off a recording they made on a camcorder "from the balcony" after the show, but nobody got this person's contact info. This could actually be AMT #2. |
Setlist
Set:
- Bit 4
- Now (And Then)
- I'm Ready
- Mina Loy (M.O.H.)
- To Love Somebody [The Bee Gees]
- A100
- I Want You [The Troggs]
- Pride (In the Name of Love) [U2] (tease)
- Johanna [Pop/Williamson]
- DIA
- Pretty, pretty STAR
- Bit 7
- Strayz
- Walking Shade
- TheCameraEye
- All Things Change
Encore One:
- I'm a King Bee [Moore]
- Turning Japanese [The Vapors] (tease)
- Today (tease)
- Star Spangled Banner [Key] (tease)
- It's a Long Way to the Top (If You Wanna Rock 'n Roll) [AC/DC]
Encore Two:
- Bit 5
Banter
Bit 4 Intro
Now and Then
I’m Ready
M.O.H.
To Love Somebody
A100
I Want You / Pride
Johanna
BC: Good evening. Thank you very much for coming.
DIA
Pretty, Pretty Star
Bit 7
Strayz (Billy solo)
BC: [unintelligible noise.] Thank you very much, thank you. I was just trying to see how sad I could make you. How low can you go? There’s, uh, some gentlemen over here that keep holding up a Rams banner. ... Does Georgia Frontiere still own the Rams? She’s kinda hot. There’s something about a woman with like 300 million that just turns me on. 400 million. Heh. How y’all doin’, you alright? You know, I have to tell you that, um, that, uh, when we originally made a tour, there was no date here, you know. And I said, “What about St. Louis?” (long crowd cheer) And then about, about a month ago, I get this phone call, “Those tickets ain’t sellin’ in St. Louis. They got no, uh, they only got classic rock down there, they don’t play alternative any more.” Heh heh heh. I mean they have like a - they have one of those channels that plays all those bands all the time but.... Whatever those bands are called. All those bands with tattoos, whatever they’re called. And, um, then I start going “Dang it, why did I want to go to St. Louis? No one’s going to show up at the show.” And then here you are! ... Heh heh.
Walking Shade
The Camera Eye
All Things Change
BC: Thank you very much, god bless you.
[encore break]
I’m a King Bee
> It’s a Long Way to the Top
BC: Thank you! Thank you, St. Louis.
[encore break]
Bit 5
[bow]
BC: Thank you very much, thank you very much. I don’t - I don’t have much to say, uh, that I didn’t already say in all those songs but, heh, excuse me, I’m talking. Uh, heh heh, I just wanna say that, uh, that, uh, this life I’ve chosen is kind of strange, I’m not always sure it’s a good idea but...but, shows like this, you reconfirm my faith to my job. So I’m - I’m very humbled by your love and support tonight, it’s been fantastic. And, uh, you know, next time I’m here when I’m playing at the Enormodome...or wherever, heh heh heh. ... All I gotta say is, uh, next time you see me out this way I will be crushing you into the dust with the metal. (mic drop)
Photos and Memorabilia
