Zwan2003-04-21: Difference between revisions

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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Schoeps MK4>Nbox2K3>SBM-1>M1
| Schoeps MK4 > Nbox(2003) > SBM-1 > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
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! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>SHN
| DAT-M > SHN
|-
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! align="left" | Notes
! align="left" | Notes
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Schoeps MK4>Nbox2K3>SBM-1>M1
| Schoeps MK4 > Nbox(2003) > SBM-1 > M1
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>CDR
| DAT-M > CDR
|-
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! align="left" | Notes
! align="left" | Notes
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|-
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! align="left" | Equipment
! align="left" | Equipment
| ECM-717>TCD-D7(48k)
| ECM-717 > TCD-D7(48k)
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|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Yes
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>FLAC
| DAT-M > FLAC
|-
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! align="left" | Live Music Archive
! align="left" | Live Music Archive
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|-
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! align="left" | Notes
! align="left" | Notes
| First row of the elevated area of section 12 (slightly above floor). DAT-?>CDR transfer also circulates.
| First row of the elevated area of section 12 (slightly above floor). DDC-? > CDR transfer also circulates.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| DPA 4061 > M1 (48k)
|-
! align="left" | Length
| 95m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-04-21.dpa4061.flac16 16-bit download]
|-
! align="left" | Notes
| First row of the elevated area of section 12 (slightly above floor). DDC-? > CDR transfer also circulates.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3a
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4a
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Oktava MC012>PS-2>Zefiro Inbox>M1
| Oktava MC012 > PS-2 > Zefiro Inbox > M1
|-
|-
! align="left" | Length
! align="left" | Length
| ~90m
| ~95m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand, inside SBD area. Taper used one pair of mics and split the signal into two recorders.
| Mic stand, inside SBD area.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3b
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4b
|-
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! align="left" | Source
! align="left" | Source
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! align="left" | Equipment
! align="left" | Equipment
| Oktava MC012>PS-2>MS722
| Oktava MC012 > PS-2 > MS722
|-
|-
! align="left" | Length
! align="left" | Length
| ~90m
| ~95m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand, inside SBD area. Taper used one pair of mics and split the signal into two recorders.
| Mic stand, inside SBD area.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Schoeps CCM4>SX-M2>SBM-1>M1
| Schoeps CCM4 > SX-M2 > SBM-1 > M1
|-
|-
! align="left" | Length
! align="left" | Length
| ~90m
| ~95m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Endless Summer'''<br>
'''Declarations of Faith'''<br>
BC: Thank you very much.<br>
'''Don’t Let Me Down'''<br>
BC: Yes, don’t let me down.  Speaking of letting you down....<br>
'''Settle Down'''<br>
> '''Yeah!'''<br>
> '''Honestly'''<br>
'''Jesus, I'''<br>
> '''God’s Gonna Set This World on Fire'''<br>
BC: Thank you very much, greater San Diego.  And all the outlying areas.  Like to take a moment to introduce the Zwan to you.  On the geetar, Mr. Davey Pajo, king of the indie frontier!  A guitarist and a fine fur, furrower....  A furrower?  A furrerer, heh heh heh.  Not a furrier, no no, a furrower.  A furrower, Mr. Matt Sweeney.  She’s ruv-rey ''(“lovely” pronounced with 2 r’s)'', heh heh.  Heh heh, Paz.  And on the tom toms, Mr. Jimmy Chamberlin.<br>
'''Heartsong'''<br>
'''Lyric'''<br>
> '''Baby, Let’s Rock!'''<br>
BC: Yes, let’s rock.<br>
'''A New Poetry'''<br>
BC: Thank you very much, thank you.<br>
[encore break]<br>
'''Spilled Milk'''<br>
BC: Thank you.<br>
[encore break]<br>
BC: Thank you very much, thank you.<br>
'''Of a Broken Heart'''<br>
> '''Mary Star of the Sea'''<br>
(BC after lyrics, before coda: Thank you very much.  Thank you very much for a great concert.  Thank you for your support and your energy and your love...and your occasional obsession.  Ciao!)<br>
</blockquote>
</blockquote>

Latest revision as of 19:12, 27 September 2020

Zwan
Date 2003-04-21
Venue RIMAC Arena
Location La Jolla, CA, US
Venue Type Gym
Capacity 4529
Lineup Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
Order of Bands The Children's Hour, Zwan
Surfaced Recordings
AUD #1a
Source AUD
Format DAT
Equipment Schoeps MK4 > Nbox(2003) > SBM-1 > M1
Length ~12m
Complete? No
Lowest Circulating Generation DAT-M > SHN
Notes 5 feet from left stacks. Lyric, Yeah, and Heartsong only. "Best of CA 2003" compilation.
AUD #1
Source AUD
Format DAT
Equipment Schoeps MK4 > Nbox(2003) > SBM-1 > M1
Length ~95m
Complete? Yes
Lowest Circulating Generation DAT-M > CDR
Notes 5 feet from left stacks.
AUD #2
Source AUD
Format DAT
Equipment ECM-717 > TCD-D7(48k)
Length 95m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes First row of the elevated area of section 12 (slightly above floor). DDC-? > CDR transfer also circulates.
AUD #3
Source AUD
Format DAT
Equipment DPA 4061 > M1 (48k)
Length 95m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes First row of the elevated area of section 12 (slightly above floor). DDC-? > CDR transfer also circulates.
Unsurfaced Recordings
AUD #4a
Source AUD
Format DAT
Equipment Oktava MC012 > PS-2 > Zefiro Inbox > M1
Length ~95m
Complete? Yes
Notes Mic stand, inside SBD area.
AUD #4b
Source AUD
Format MD
Equipment Oktava MC012 > PS-2 > MS722
Length ~95m
Complete? Yes
Notes Mic stand, inside SBD area.
AUD #5
Source AUD
Format DAT
Equipment Schoeps CCM4 > SX-M2 > SBM-1 > M1
Length ~95m
Complete? Unknown
Notes 5 feet from left stacks.

Setlist


Set:

  • Endless Summer
  • Declarations of Faith
  • Don't Let Me Down [The Beatles]
  • Settle Down
  • Yeah
  • Honestly
  • Jesus, I [Lyte]
    • Star Spangled Banner [Key] (tease)
    • God's Gonna Set This World on Fire
  • Heartsong
  • Lyric
  • Baby, Let's Rock
  • A New Poetry

Encore One:

  • Spilled Milk

Encore Two:

  • Of a Broken Heart
  • Mary Star of the Sea

Banter

Endless Summer
Declarations of Faith
BC: Thank you very much.
Don’t Let Me Down
BC: Yes, don’t let me down. Speaking of letting you down....
Settle Down
> Yeah!
> Honestly
Jesus, I
> God’s Gonna Set This World on Fire
BC: Thank you very much, greater San Diego. And all the outlying areas. Like to take a moment to introduce the Zwan to you. On the geetar, Mr. Davey Pajo, king of the indie frontier! A guitarist and a fine fur, furrower.... A furrower? A furrerer, heh heh heh. Not a furrier, no no, a furrower. A furrower, Mr. Matt Sweeney. She’s ruv-rey (“lovely” pronounced with 2 r’s), heh heh. Heh heh, Paz. And on the tom toms, Mr. Jimmy Chamberlin.
Heartsong
Lyric
> Baby, Let’s Rock!
BC: Yes, let’s rock.
A New Poetry
BC: Thank you very much, thank you.
[encore break]
Spilled Milk
BC: Thank you.
[encore break]
BC: Thank you very much, thank you.
Of a Broken Heart
> Mary Star of the Sea
(BC after lyrics, before coda: Thank you very much. Thank you very much for a great concert. Thank you for your support and your energy and your love...and your occasional obsession. Ciao!)