Zwan2001-11-18: Difference between revisions

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Line 12: Line 12:
|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Unknown
| Club
|-
! align="left" | Capacity
| 650
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo
|-
! align="left" | Order of Bands
| South of Houston, Zwan
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 25: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Schoeps MK4>Rmod2K1>SBM-1>M1 (48k)
| Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k)
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| 101m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 34: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT(M)
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2001-11-18anniv 16-bit download]<br>
[http://www.archive.org/details/zwan2001-11-18.mk4.flac16 16-bit download (no EQ)]
|-
|-
! align="left" | Notes
! align="left" | Notes
| 25 feet from stage, dead center <br />2nd Anniversary EQ release [http://www.archive.org/audio/etree-details-db.php?id=17321 show @ archive.org]
| 15 feet from stage, dead center, mics in hat.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2a
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2a
Line 48: Line 61:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>Battery Box>M1 (48k)
| DPA 4061 > battery box > M1(48k)
|-
|-
! align="left" | Length
! align="left" | Length
Line 57: Line 70:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT(M)>CDR
| DAT-M > CDR
|-
|-
! align="left" | Notes
! align="left" | Notes
| Missing second encore. Soundcheck was also recorded by this taper (see AUD #2b)
| Missing second encore.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
Line 71: Line 84:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBMod>MT-90
| CSBMod > MT-90
|-
|-
! align="left" | Length
! align="left" | Length
Line 80: Line 93:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| MD(M)>CDR
| MD-M > CDR
|-
|-
! align="left" | Notes
! align="left" | Notes
| One soundcheck only. Not sure which, but likely second.
| One soundcheck only. Recorded from back of the venue with mics through the fence. Analog transfer.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2b
|-
|-
! align="left" | Source
! align="left" | Source
Line 93: Line 104:
|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| VID
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>Battery Box>M1
|-
! align="left" | Length
| 27m
|-
! align="left" | Complete?
| Unknown
| Unknown
|-
! align="left" | Notes
| Soundcheck(s?).
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| Schoeps CCM4>Rmod> SBM1>M1
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| 82m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| No
|-
|-
! align="left" | Notes
! align="left" | Lowest Circulating Generation
| Same as AUD #1??
| VHS-2 > VCD
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS DSM-6S>PA-6LC3B>D8
|-
! align="left" | Length
| 95m
|-
! align="left" | Complete?
| Unknown
|-
|-
! align="left" | Notes
! align="left" | Notes
| Center floor. Distortion.
| Missing What Have They Done to Me and Sorrow, Spilled Milk cuts. Also includes pre-show chat and first soundcheck.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| SS DSM-6S>PA-6LC3B>MZ-R37
|-
! align="left" | Length
| 95m
|-
! align="left" | Complete?
| Unknown
|-
|-
! align="left" | Notes
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
| Front of venue.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
|-
|-
! align="left" | Source
! align="left" | Source
Line 176: Line 132:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>Battery Box>M1
| DPA 4061 > battery box > M1
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| 27m (soundcheck)<br />99m (show)
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| No
|-
|-
! align="left" | Notes
! align="left" | Notes
| Center floor. Highly suspect that either this or AUD #8 is the same as AUD #2 currently circulating.
| Soundcheck(s?) recorded from crack at bottom of door at the side of venue, show taped from center, floor. Missing second encore.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
|-
! align="left" | Source
! align="left" | Source
Line 196: Line 152:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>Battery Box>M1
| SS-DSM-6S > PA-6LC3B > TCD-D8
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| ~100m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 205: Line 161:
|-
|-
! align="left" | Notes
! align="left" | Notes
| Center, floor.
| Center floor. Distortion.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #9
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
|-
! align="left" | Source
! align="left" | Source
Line 213: Line 169:
|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| MD
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>Battery Box>M1
| SS-DSM-6S > PA-6LC3B > MZ-R37
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| ~100m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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|-
|-
! align="left" | Notes
! align="left" | Notes
| Center, floor. Bass distortion.
| Front of board.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #10
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
|-
|-
! align="left" | Source
! align="left" | Source
Line 236: Line 192:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS DSM-6S>PA-6LC>D8
| AT-853 > Sound Professionals battery box > MS722
|-
|-
! align="left" | Length
! align="left" | Length
| 95m
| ~100m
|-
! align="left" | Complete?
| Unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #11
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| AT853>Sound Professionals Battery Box>MS722
|-
! align="left" | Length
| 95m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 280: Line 219:
* The Empty Sea
* The Empty Sea
* Glorious
* Glorious
* How Things Are Supposed to Be
* Cast a Stone
* Cast a Stone
* Don't Let Me Down [Beatles]
* Don't Let Me Down [The Beatles]
* Jesus, I [Lyte]
* Jesus, I [Lyte]
** I'm Waiting for the Man [The Velvet Underground] (tease)
* The Shining Path
* The Shining Path
* What Have They Done to Me?
* What Have They Done to Me?
* Sorrow
* Sorrow
* Permanences
* Permanence
* My Life and Times
* My Life and Times
Encore One:
Encore One:
Line 294: Line 235:
* Who We Be [DMX] (tease)
* Who We Be [DMX] (tease)
* Spilled Milk  
* Spilled Milk  
=== Notes ===
* First performances of What the World Needs Now Is Love and Spilled Milk
* Final performance of Permanence


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Chrysanthemum'''<br>
'''Never Give Up'''<br>
'''El Sol'''<br>
'''The Empty Sea'''<br>
> '''Glorious'''<br>
BC: Thank you very much, thank you very much.<br>
'''How Things Are Supposed to Be'''<br>
> '''Cast a Stone'''<br>
'''Don’t Let Me Down'''<br>
'''Jesus, I / I’m Waiting for the Man'''<br>
Sweeney: Hey Billy.  Speaking of Jesus.  Do you know what the difference between a priest and acne is?  Does anybody?<br>
BC: I don’t think they - I don’t think they can hear you, hold on a second.<br>
Sweeney: Does anybody know what the difference between a priest and acne is?  Anybody?  Anybody?  Well, the difference is that acne waits until you’re - excuse me?<br>
Guy in crowd: They’re different!<br>
Sweeney: Does it...?  The difference is, the difference between a priest and acne is that acne waits until you’re 13 before it comes in your face.<br>
BC: I don’t know what that has to do with Jesus but...I’ll accept that.  Heh heh.  Yes, yes.  Um, like to take this opportunity to shamelessly promote Fisher Skull’s new project, it’s out on CD.  He’s uh, he’s found a young talent, a young buck from Louisville.  He’s molding them into the next superstar, the album is called, uh, Whatever, Mortal, the artist is Papa M, so please go buy it, we shamelessly - there you go.  We shamelessly promote Skullfisher’s new project.<br>
Sweeney: Papa!  Papa.<br>
BC: Papa M, Papa M.<br>
'''The Shining Path'''<br>
'''What Have They Done to Me'''<br>
'''Sorrow'''<br>
Sweeney: ''(off mic)'' Ah, wait a minute.  Oh, [unintelligible].<br>
'''Permanence''' (abandoned while Jimmy still counting in)<br>
BC: Wait.<br>
Sweeney: ''(off mic and almost immediately)'' Alright, I got it.<br>
'''Permanence''' (abandoned 10 seconds in)<br>
(BC: [unintelligible word]!)<br>
BC: You know it’s very strange ‘cause that was the first time I ever fucked up in all these years.  It’s really strange.  Why - why in Santa Ana?<br>
'''Permanence'''<br>
> '''My Life and Times'''<br>
BC: Thank you very much.<br>
[encore break]<br>
'''Of a Broken Heart'''<br>
> '''What the World Needs Now Is Love'''<br>
BC: God bless you, thank you very much.<br>
[encore break]<br>
''(Jimmy checks his drums, which turns into a 25 second band jam)''<br>
BC: I like that song.<br>
''(Billy imitates the noises he was making during it, followed by him and Jimmy going back into the jam)''<br>
'''Who We Be''' (tease - Sweeney variation on lyrics over Billy and Jimmy jamming)<br>
(Sweeney: The projects, the sons.  The burgers, the fries, the ketchup, the mustard.)<br>
BC: There’s a lot more sittin’ next to a tree.  Thank you very much.<br>
> '''Spilled Milk'''<br>
BC: We are Zwan, haha!<br>
</blockquote>
</blockquote>
== Photos and Memorabilia ==
[[Image:2001-11-18_stub.jpg|125px|left]]

Latest revision as of 21:23, 13 January 2021

Zwan
Date 2001-11-18
Venue Galaxy Theater
Location Santa Ana, CA, US
Venue Type Club
Capacity 650
Lineup Corgan, Chamberlin, Sweeney, Pajo
Order of Bands South of Houston, Zwan
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k)
Length 101m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download

16-bit download (no EQ)

Notes 15 feet from stage, dead center, mics in hat.
AUD #2a
Source AUD
Format DAT
Equipment DPA 4061 > battery box > M1(48k)
Length 99m
Complete? No
Lowest Circulating Generation DAT-M > CDR
Notes Missing second encore.
AUD #3
Source AUD
Format MD
Equipment CSBMod > MT-90
Length 15m
Complete? No
Lowest Circulating Generation MD-M > CDR
Notes One soundcheck only. Recorded from back of the venue with mics through the fence. Analog transfer.
AMT #1
Source AUD
Format VID
Equipment Unknown
Length 82m
Complete? No
Lowest Circulating Generation VHS-2 > VCD
Notes Missing What Have They Done to Me and Sorrow, Spilled Milk cuts. Also includes pre-show chat and first soundcheck.
Unsurfaced Recordings
AUD #2
Source AUD
Format DAT
Equipment DPA 4061 > battery box > M1
Length 27m (soundcheck)
99m (show)
Complete? No
Notes Soundcheck(s?) recorded from crack at bottom of door at the side of venue, show taped from center, floor. Missing second encore.
AUD #4
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC3B > TCD-D8
Length ~100m
Complete? Unknown
Notes Center floor. Distortion.
AUD #5
Source AUD
Format MD
Equipment SS-DSM-6S > PA-6LC3B > MZ-R37
Length ~100m
Complete? Unknown
Notes Front of board.
AUD #6
Source AUD
Format MD
Equipment AT-853 > Sound Professionals battery box > MS722
Length ~100m
Complete? Unknown
Notes Center, floor. Bass distortion.

Setlist

Soundcheck One:

  • My Life and Times

Soundcheck Two:

  • Of a Broken Heart
  • What the World Needs Now Is Love [Bacharach/David]
  • The Shining Path
  • What Have They Done to Me

Set:

  • Chrysanthenum
  • Never Give Up
  • El Sol
  • The Empty Sea
  • Glorious
  • How Things Are Supposed to Be
  • Cast a Stone
  • Don't Let Me Down [The Beatles]
  • Jesus, I [Lyte]
    • I'm Waiting for the Man [The Velvet Underground] (tease)
  • The Shining Path
  • What Have They Done to Me?
  • Sorrow
  • Permanence
  • My Life and Times

Encore One:

  • Of a Broken Heart
  • What the World Needs Now Is Love [Bacharach/David]

Encore Two:

  • Who We Be [DMX] (tease)
  • Spilled Milk

Notes

  • First performances of What the World Needs Now Is Love and Spilled Milk
  • Final performance of Permanence

Banter

Chrysanthemum
Never Give Up
El Sol
The Empty Sea
> Glorious
BC: Thank you very much, thank you very much.
How Things Are Supposed to Be
> Cast a Stone
Don’t Let Me Down
Jesus, I / I’m Waiting for the Man
Sweeney: Hey Billy. Speaking of Jesus. Do you know what the difference between a priest and acne is? Does anybody?
BC: I don’t think they - I don’t think they can hear you, hold on a second.
Sweeney: Does anybody know what the difference between a priest and acne is? Anybody? Anybody? Well, the difference is that acne waits until you’re - excuse me?
Guy in crowd: They’re different!
Sweeney: Does it...? The difference is, the difference between a priest and acne is that acne waits until you’re 13 before it comes in your face.
BC: I don’t know what that has to do with Jesus but...I’ll accept that. Heh heh. Yes, yes. Um, like to take this opportunity to shamelessly promote Fisher Skull’s new project, it’s out on CD. He’s uh, he’s found a young talent, a young buck from Louisville. He’s molding them into the next superstar, the album is called, uh, Whatever, Mortal, the artist is Papa M, so please go buy it, we shamelessly - there you go. We shamelessly promote Skullfisher’s new project.
Sweeney: Papa! Papa.
BC: Papa M, Papa M.
The Shining Path
What Have They Done to Me
Sorrow
Sweeney: (off mic) Ah, wait a minute. Oh, [unintelligible].
Permanence (abandoned while Jimmy still counting in)
BC: Wait.
Sweeney: (off mic and almost immediately) Alright, I got it.
Permanence (abandoned 10 seconds in)
(BC: [unintelligible word]!)
BC: You know it’s very strange ‘cause that was the first time I ever fucked up in all these years. It’s really strange. Why - why in Santa Ana?
Permanence
> My Life and Times
BC: Thank you very much.
[encore break]
Of a Broken Heart
> What the World Needs Now Is Love
BC: God bless you, thank you very much.
[encore break]
(Jimmy checks his drums, which turns into a 25 second band jam)
BC: I like that song.
(Billy imitates the noises he was making during it, followed by him and Jimmy going back into the jam)
Who We Be (tease - Sweeney variation on lyrics over Billy and Jimmy jamming)
(Sweeney: The projects, the sons. The burgers, the fries, the ketchup, the mustard.)
BC: There’s a lot more sittin’ next to a tree. Thank you very much.
> Spilled Milk
BC: We are Zwan, haha!

Photos and Memorabilia

2001-11-18 stub.jpg
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