Zwan2001-11-16: Difference between revisions
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== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Chrysanthemum'''<br> | ||
'''Permanence'''<br> | |||
'''El Sol'''<br> | |||
'''The Empty Sea'''<br> | |||
'''How Things Are Supposed to Be'''<br> | |||
> '''Glorious'''<br> | |||
BC: Thank you very much.<br> | |||
'''Cast a Stone'''<br> | |||
'''Don’t Let Me Down'''<br> | |||
'''Jesus, I / I’m Waiting for the Man'''<br> | |||
Sweeney: Hey, Billy.<br> | |||
BC: ''(off mic)'' Yes, Matt? ''(on mic)'' Yes, Matt?<br> | |||
Sweeney: Do you know why, uh, you know why girls dig Jesus so much?<br> | |||
BC: I don’t know.<br> | |||
Sweeney: ‘Cause he’s hung like this.<br> | |||
BC: I find that morally offensive. Socially reprehensible. ''(30 seconds of tuning/soundchecking)'' One, two, one, two. Just a little more keyboard. Hello. Okay, Jason.<br> | |||
'''The Shining Path'''<br> | |||
BC: Thank you. ... You happenin’ there, Speed? You good?<br> | |||
'''What Have They Done to Me'''<br> | |||
'''Sorrow'''<br> | |||
'''Never Give Up'''<br> | |||
'''My Life and Times'''<br> | |||
BC: Thank you very much.<br> | |||
[encore break]<br> | |||
BC: Thank you very much, thank you, thank you.<br> | |||
'''Of a Broken Heart'''<br> | |||
BC: Thank you very much.<br> | |||
</blockquote> | </blockquote> | ||
== Photos and Memorabilia == | == Photos and Memorabilia == | ||
[[Image:2001-11-16_stub.jpg|125px|left]] | [[Image:2001-11-16_stub.jpg|125px|left]] | ||
Latest revision as of 21:19, 13 January 2021
| Zwan | |
|---|---|
| Date | 2001-11-16 |
| Venue | Glass House |
| Location | Pomona, CA, US |
| Venue Type | Club |
| Capacity | 800 |
| Lineup | Corgan, Chamberlin, Sweeney, Pajo |
| Order of Bands | Wagner, Zwan |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | DAT |
| Equipment | Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k) |
| Length | 82m |
| Complete? | Yes |
| Lowest Circulating Generation | DAT-M > FLAC |
| Live Music Archive | 16-bit download 16-bit download (no EQ) |
| Notes | 25 feet back, dead center, mics in hat. |
| AUD #2a | |
| Source | AUD |
| Format | DAT |
| Equipment | DPA 4061 > M1(48k) |
| Length | 77m |
| Complete? | Yes |
| Lowest Circulating Generation | DAT-M > dEdit > SHN |
| Live Music Archive | 16-bit download (matrix) |
| AUD #3 | |
| Source | AUD |
| Format | MD |
| Equipment | SS-DSM-6SL > PA-6LC3B(170) > MZ-R37 |
| Length | 75m |
| Complete? | Unknown |
| Lowest Circulating Generation | MD-M > dEdit > SHN |
| Live Music Archive | 16-bit download (matrix) |
| Notes | Circulates mixed with AUD #2a. |
| AUD #4 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSB > M1(48k) |
| Length | 45m |
| Complete? | No |
| Lowest Circulating Generation | DAT-M > FLAC |
| Live Music Archive | 16-bit download |
| Notes | Soundcheck only. |
| AMT #1 | |
| Source | AUD |
| Format | VID |
| Equipment | Unknown |
| Length | 38m |
| Complete? | No |
| Lowest Circulating Generation | VHS-2 > VCD |
| Notes | First nine songs. Don't Let Me Down and Jesus, I cut. |
| Unsurfaced Recordings | |
| AUD #2b | |
| Source | AUD |
| Format | DAT |
| Equipment | DPA 4061 > M1 |
| Length | 42m |
| Complete? | Unknown |
| Notes | Soundcheck. |
| AUD #5 | |
| Source | AUD |
| Format | DAT |
| Equipment | SM57 > SBM-1 > TCD-D100 |
| Length | 82m |
| Complete? | Unknown |
| Notes | Mic stand, 5ft from left stack. |
| AUD #6 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSHEB > battery box > M1 |
| Length | 82m |
| Complete? | Unknown |
| Notes | 25 feet back, center. |
| AUD #7 | |
| Source | AUD |
| Format | DAT |
| Equipment | SS-DSM-6S > PA-6LC3B > TCD-D8 |
| Length | 82m |
| Complete? | Unknown |
| Notes | 25 feet back, center. |
| AUD #8 | |
| Source | AUD |
| Format | MD |
| Equipment | AT-853 > Sound Professionals battery box > MS722 |
| Length | 82m |
| Complete? | Unknown |
| Notes | 25 feet back, center. |
Setlist
Soundcheck:
- Permanence
- Never Give Up
- The Empty Sea
- Sorrow
- What Have They Done to Me
- Of a Broken Heart
Set:
- Chrysanthenum
- Permanence
- El Sol
- The Empty Sea
- How Things Are Supposed To Be
- Glorious
- Cast a Stone
- Don't Let Me Down [The Beatles]
- Jesus, I [Lyte]
- I'm Waiting for the Man [The Velvet Underground] (tease)
- The Shining Path
- What Have They Done to Me
- Sorrow
- Never Give Up
- My Life and Times
Encore:
- Of a Broken Heart
Notes
- How Things Are Supposed to Be performed instrumental
Banter
Chrysanthemum
Permanence
El Sol
The Empty Sea
How Things Are Supposed to Be
> Glorious
BC: Thank you very much.
Cast a Stone
Don’t Let Me Down
Jesus, I / I’m Waiting for the Man
Sweeney: Hey, Billy.
BC: (off mic) Yes, Matt? (on mic) Yes, Matt?
Sweeney: Do you know why, uh, you know why girls dig Jesus so much?
BC: I don’t know.
Sweeney: ‘Cause he’s hung like this.
BC: I find that morally offensive. Socially reprehensible. (30 seconds of tuning/soundchecking) One, two, one, two. Just a little more keyboard. Hello. Okay, Jason.
The Shining Path
BC: Thank you. ... You happenin’ there, Speed? You good?
What Have They Done to Me
Sorrow
Never Give Up
My Life and Times
BC: Thank you very much.
[encore break]
BC: Thank you very much, thank you, thank you.
Of a Broken Heart
BC: Thank you very much.
Photos and Memorabilia
