Zwan2001-11-16: Difference between revisions

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|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Unknown
| Club
|-
! align="left" | Capacity
| 800
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo
|-
! align="left" | Order of Bands
| Wagner, Zwan
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 25: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| Schoeps MK4>Rmod2K1>SBM-1>M1 (48k)
| Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k)
|-
|-
! align="left" | Length
! align="left" | Length
| 77m
| 82m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 34: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT(M)
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2001-11-16.schoeps.shnf 16-bit download]<br>[http://www.archive.org/details/zwan2001-11-16.mk4.flac16 16-bit download (no EQ)]
|-
! align="left" | Notes
| 25 feet back, dead center, mics in hat.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2a
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2a
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>M1
| DPA 4061 > M1(48k)
|-
|-
! align="left" | Length
! align="left" | Length
Line 54: Line 69:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT(M)
| DAT-M > dEdit > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2001-11-16.shn 16-bit download (matrix)]
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
Line 65: Line 83:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS DSM-6SL>PA-6LC3B(170)>MZR37
| SS-DSM-6SL > PA-6LC3B(170) > MZ-R37
|-
|-
! align="left" | Length
! align="left" | Length
Line 74: Line 92:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| MD(?)>CDR
| MD-M > dEdit > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2001-11-16.shn 16-bit download (matrix)]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Circulates mixed with AUD #2.
| Circulates mixed with AUD #2a.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2b
|-
|-
! align="left" | Source
! align="left" | Source
Line 90: Line 109:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| DPA 4061>M1
| CSB > M1(48k)
|-
|-
! align="left" | Length
! align="left" | Length
| 42m
| 45m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| No
|-
! align="left" | Lowest Circulating Generation
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2001-11-16.sndchk.csb.flac16 16-bit download]
|-
|-
! align="left" | Notes
! align="left" | Notes
| Soundcheck.
| Soundcheck only.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| VID
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SM57>SBM1>D100
| Unknown
|-
|-
! align="left" | Length
! align="left" | Length
| 82m
| 38m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| No
|-
! align="left" | Lowest Circulating Generation
| VHS-2 > VCD
|-
|-
! align="left" | Notes
! align="left" | Notes
| Mic stand, 5ft from left stack.
| First nine songs. Don't Let Me Down and Jesus, I cut.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2b
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSHEB>Battery Box>M1
| DPA 4061 > M1
|-
|-
! align="left" | Length
! align="left" | Length
| 82m
| 42m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
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|-
|-
! align="left" | Notes
! align="left" | Notes
| 25 feet back, center.
| Soundcheck.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
|-
! align="left" | Source
! align="left" | Source
Line 150: Line 180:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS DSM-6S>PA-6LC3B>D8
| SM57 > SBM-1 > TCD-D100
|-
|-
! align="left" | Length
! align="left" | Length
Line 159: Line 189:
|-
|-
! align="left" | Notes
! align="left" | Notes
| 25 feet back, center.
| Mic stand, 5ft from left stack.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSHEB>Battery Box>M1
| CSHEB > battery box > M1
|-
|-
! align="left" | Length
! align="left" | Length
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| 25 feet back, center.
| 25 feet back, center.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSHEB>Battery Box>M1
| SS-DSM-6S > PA-6LC3B > TCD-D8
|-
|-
! align="left" | Length
! align="left" | Length
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| 25 feet back, center.
| 25 feet back, center.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #9
! bgcolor="#fff9de" colspan="2" align="left" | AUD #8
|-
|-
! align="left" | Source
! align="left" | Source
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| AT853>Sound Professionals Battery Box>MS722
| AT-853 > Sound Professionals battery box > MS722
|-
|-
! align="left" | Length
! align="left" | Length
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! align="left" | Notes
! align="left" | Notes
| 25 feet back, center.
| 25 feet back, center.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #10
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS DSM-6S/L > PA-6LC3B > MZ-R37
|-
! align="left" | Length
| 82m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| 5 feet back, right side of stage.
|-
|-
|}
|}
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* El Sol
* El Sol
* The Empty Sea
* The Empty Sea
* How Things Are Supposed To Be   (inst.)
* How Things Are Supposed To Be
* Glorious
* Glorious
* Cast a Stone
* Cast a Stone
* Don't Let Me Down [Beatles]
* Don't Let Me Down [The Beatles]
* Jesus, I [Lyte]
* Jesus, I [Lyte]
** I'm Waiting for the Man [Lou Reed] (tease)
** I'm Waiting for the Man [The Velvet Underground] (tease)
* The Shining Path
* The Shining Path
* What Have They Done to Me
* What Have They Done to Me
Line 269: Line 279:
Encore:
Encore:
* Of a Broken Heart  
* Of a Broken Heart  
=== Notes ===
* How Things Are Supposed to Be performed instrumental


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Chrysanthemum'''<br>
'''Permanence'''<br>
'''El Sol'''<br>
'''The Empty Sea'''<br>
'''How Things Are Supposed to Be'''<br>
> '''Glorious'''<br>
BC: Thank you very much.<br>
'''Cast a Stone'''<br>
'''Don’t Let Me Down'''<br>
'''Jesus, I / I’m Waiting for the Man'''<br>
Sweeney: Hey, Billy.<br>
BC: ''(off mic)'' Yes, Matt?  ''(on mic)'' Yes, Matt?<br>
Sweeney: Do you know why, uh, you know why girls dig Jesus so much?<br>
BC: I don’t know.<br>
Sweeney: ‘Cause he’s hung like this.<br>
BC: I find that morally offensive.  Socially reprehensible.  ''(30 seconds of tuning/soundchecking)''  One, two, one, two.  Just a little more keyboard.  Hello.  Okay, Jason.<br>
'''The Shining Path'''<br>
BC: Thank you.  ...  You happenin’ there, Speed?  You good?<br>
'''What Have They Done to Me'''<br>
'''Sorrow'''<br>
'''Never Give Up'''<br>
'''My Life and Times'''<br>
BC: Thank you very much.<br>
[encore break]<br>
BC: Thank you very much, thank you, thank you.<br>
'''Of a Broken Heart'''<br>
BC: Thank you very much.<br>
</blockquote>
</blockquote>
== Photos and Memorabilia ==
[[Image:2001-11-16_stub.jpg|125px|left]]

Latest revision as of 21:19, 13 January 2021

Zwan
Date 2001-11-16
Venue Glass House
Location Pomona, CA, US
Venue Type Club
Capacity 800
Lineup Corgan, Chamberlin, Sweeney, Pajo
Order of Bands Wagner, Zwan
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment Schoeps MK4 > Rmod2K1 > SBM-1 > M1(48k)
Length 82m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
16-bit download (no EQ)
Notes 25 feet back, dead center, mics in hat.
AUD #2a
Source AUD
Format DAT
Equipment DPA 4061 > M1(48k)
Length 77m
Complete? Yes
Lowest Circulating Generation DAT-M > dEdit > SHN
Live Music Archive 16-bit download (matrix)
AUD #3
Source AUD
Format MD
Equipment SS-DSM-6SL > PA-6LC3B(170) > MZ-R37
Length 75m
Complete? Unknown
Lowest Circulating Generation MD-M > dEdit > SHN
Live Music Archive 16-bit download (matrix)
Notes Circulates mixed with AUD #2a.
AUD #4
Source AUD
Format DAT
Equipment CSB > M1(48k)
Length 45m
Complete? No
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes Soundcheck only.
AMT #1
Source AUD
Format VID
Equipment Unknown
Length 38m
Complete? No
Lowest Circulating Generation VHS-2 > VCD
Notes First nine songs. Don't Let Me Down and Jesus, I cut.
Unsurfaced Recordings
AUD #2b
Source AUD
Format DAT
Equipment DPA 4061 > M1
Length 42m
Complete? Unknown
Notes Soundcheck.
AUD #5
Source AUD
Format DAT
Equipment SM57 > SBM-1 > TCD-D100
Length 82m
Complete? Unknown
Notes Mic stand, 5ft from left stack.
AUD #6
Source AUD
Format DAT
Equipment CSHEB > battery box > M1
Length 82m
Complete? Unknown
Notes 25 feet back, center.
AUD #7
Source AUD
Format DAT
Equipment SS-DSM-6S > PA-6LC3B > TCD-D8
Length 82m
Complete? Unknown
Notes 25 feet back, center.
AUD #8
Source AUD
Format MD
Equipment AT-853 > Sound Professionals battery box > MS722
Length 82m
Complete? Unknown
Notes 25 feet back, center.

Setlist

Soundcheck:

  • Permanence
  • Never Give Up
  • The Empty Sea
  • Sorrow
  • What Have They Done to Me
  • Of a Broken Heart

Set:

  • Chrysanthenum
  • Permanence
  • El Sol
  • The Empty Sea
  • How Things Are Supposed To Be
  • Glorious
  • Cast a Stone
  • Don't Let Me Down [The Beatles]
  • Jesus, I [Lyte]
    • I'm Waiting for the Man [The Velvet Underground] (tease)
  • The Shining Path
  • What Have They Done to Me
  • Sorrow
  • Never Give Up
  • My Life and Times

Encore:

  • Of a Broken Heart

Notes

  • How Things Are Supposed to Be performed instrumental

Banter

Chrysanthemum
Permanence
El Sol
The Empty Sea
How Things Are Supposed to Be
> Glorious
BC: Thank you very much.
Cast a Stone
Don’t Let Me Down
Jesus, I / I’m Waiting for the Man
Sweeney: Hey, Billy.
BC: (off mic) Yes, Matt? (on mic) Yes, Matt?
Sweeney: Do you know why, uh, you know why girls dig Jesus so much?
BC: I don’t know.
Sweeney: ‘Cause he’s hung like this.
BC: I find that morally offensive. Socially reprehensible. (30 seconds of tuning/soundchecking) One, two, one, two. Just a little more keyboard. Hello. Okay, Jason.
The Shining Path
BC: Thank you. ... You happenin’ there, Speed? You good?
What Have They Done to Me
Sorrow
Never Give Up
My Life and Times
BC: Thank you very much.
[encore break]
BC: Thank you very much, thank you, thank you.
Of a Broken Heart
BC: Thank you very much.

Photos and Memorabilia

2001-11-16 stub.jpg
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