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The Smashing Pumpkins
Date 2018-07-25
Venue Amalie Arena
Location Tampa, FL, US
Venue Type Arena
Capacity unknown
Lineup Corgan, Iha, Chamberlin, Schroeder, Bates, Cole
Order of Bands Metric, The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format WAV
Equipment built-in > Zoom H1
Length 187m
Complete? Yes
Lowest Circulating Generation WAV-M > FLAC
Live Music Archive 16-bit download
AMT #1
Source AUD
Format HDV
Equipment Unknown
Length 151m
Complete? No
Lowest Circulating Generation Master>WEBM



  • Mellon Collie and the Infinite Sadness
  • Disarm
  • Rocket
  • Siva
  • Rhinoceros
  • Space Oddity [Bowie]
  • Drown
  • Zero
  • The Everlasting Gaze
  • Stand Inside Your Love
  • Thirty-three
  • Eye
  • Soma
  • Blew Away
  • For Martha
  • To Sheila
  • Mayonaise
  • Porcelina of the Vast Oceans
  • Landslide [Nicks]
  • Tonight, Tonight
  • Stairway to Heaven [Led Zeppelin]
  • Cherub Rock
  • 1979
  • Ava Adore
  • Try, Try, Try
  • The Beginning is the End is the Beginning
  • Hummer
  • Today
  • Bullet with Butterfly Wings
  • Muzzle


  • Solara
  • Baby Mine [Noyes]


Alt MCIS Intro
Disarm (Billy solo acoustic)
Space Oddity
Zero Interlude Film
(BC: Ladies, gentlemen, friends, lovers, beasts or fowl, welcome to the show. We are the illuminated, the illustrious, the ill-timed knock. (two snare drum hits) Ah yes, we are the fractured, the schisms, the rift and the rabble, the sleepy clown, the atomized downs, the dreams you stopped dreaming oh so long ago. Yes, all colors mixed and marred make up the black, as do all numbers fix up the zero, zed and null. So let’s go back to your beginnings, as I shall go back to mine. It won’t last, it’ll be quick, but then again, that’s why we’re here. No past, no future, no sun. So let’s blow on fading embers, to boast about kings near, forgotten and buried. Tis the end. Tis the end. Tis the end.)
> The Everlasting Gaze
Stand Inside Your Love
Iha: Thank you so much, thank you so much. Tampa. Florida. Home of hurricanes and gators. How are you? Somebody told me that wherever there’s water, there’s a gator. Is that true? I’d - I’d be so paranoid about gators but I’m not gonna get into that right now. Let’s get back to the music.
Thirty-three (acoustic)
Vaudeville Interlude Film
(Mark McGrath: Well, hello there, neighbors. Are you enjoying the show thus far? Well, good, I am too, even though I’m not real. Now, if I could steal a moment of your time, I’d like to introduce somebody verrry special to you. He’s been a friend and a neighbor to each and every one of you. He’s been the voice you might hear in the stiiill of the night or a night dog straining against the moon. And, in fact, this young man has been with you almost every step along the way, on life’s long journey, sighing so ever soft. He’s been a lover, a fighter, but never a cad. A beacon, a searchlight piercing every impenetrable fog. And he’s here, just now, to sing for you, that golden chestnut we like to call Blew Away. So gather round, ‘cause here he is: the one, the only, Mr. Jaaaaames Iha.)
Blew Away
For Martha
BC: Thank you very kindly, thank you.
To Sheila
> Mayonaise
Porcelina of the Vast Oceans
Iha: Thank you so much. Thank you so much, Tampa. We really appreciate it. Thanks for coming out. Billy, would you like to talk about your time in St. Pete? That’s a no, okay. Heh. Couple of the old local stories.
Landslide (acoustic)
Tonight, Tonight
short lounge interlude (most is tape but Katie plays organ live)
> Stairway to Heaven
(BC over very end: Jeff Schroeder on the guitar!)
Iha: It’s just like the 70s. As soon as we start playing Stairway, somebody lights up some pot. Things don’t change.
Cherub Rock
Vaudeville Interlude Film
(Mark McGrath: Well, wowie zowie, papa ooh maow maow. What a wang dang and doodle of a show. And, it ain’t over yet. Now I don’t know about you but this next tune is one of my faaaaaaves. Reminds me of driving down the old PCH, high out of my mind on ecstasy and I’m singing the chorus of the song you’re about to hear so hard and so on high, that one of my front teeth fell right out! Yup, plain out right there in the dashboard. Wow. That dickens (?) just, just so good, wasn’t it? I mean, here you have young wash masters rising up to start a musical and cultural revolution that was soon co-opted by the machine and driven asunder! Gee golly. But thankfully, what we got in return was just so much better. I mean, let’s face it, who doesn’t want perfection in their stars above? ‘Cause perfect people making perfect, sweet music is, well, it’s just, it’s just what a god wants for all of us! Whoo! Red light, stop, it’s rain. The air is cool and the sky is gray and the year? Well, it’s 1979!)
Radio Intro tape
> 1979
> Ava Adore
BC: (high pitched voice) No, we must never be apart. Never ever. Never ever ever ever [unintelligible]. ... (normal) Oh yeah. (low) Tampa. (frog in throat) Keepin’ it real. (normal) A heh heh heh heh heh heh heh ha ha ha ha ha ha ha ha. Woo!!!!
Iha: Gotta let people in on the joke.
BC: Wooo!!! That’s all I can say. Woooo!!!
Iha: Heh heh heh. Well, I know what you’re saying.
Try, Try, Try
The Beginning is the End is the Beginning
> Hummer
Bullet with Butterfly Wings
BC: Tampa, thank you so much. Thank you.
Iha: Thank you so much.
BC: We wouldn’t be here if it wasn’t for you so we appreciate you so much, thank you. And I know I speak for Phil and Jerry and Todd and Jack. Katie!
Iha: Katie Cole.
BC: Ms. Katie Cole.
Iha: Katie Cole [unintelligible] from Australia.
BC: She is. Uh, we thank you so much from our family to yours, thank you, thank you. We hope you’ve enjoyed the show. This is our final number.
Iha: And now that we’re family, I’m comin’ over for Thanksgiving. So just write down your address. Write down your address, I’ll come over for Thanksgiving.
BC: It’s our final number, it’s our final number, I promise this is our final number. Okay.
[encore break]
Iha: Last song. Thanks so much.
Baby Mine (Jimmy plays ukulele)
(Iha towards beginning: ‘S kick-sa. ... I meant to say you were kickin’ ass on the drums and now you’re kicking ass on the ukulele!)