Tsp1998-05-16
The Smashing Pumpkins | |
---|---|
Date | 1998-05-16 |
Venue | Piazza Delle Feste |
Location | Genova, IT |
Venue Type | Boat |
Capacity | 2500 |
Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
Order of Bands | Unknown |
Surfaced Recordings | |
SBD #1a | |
Source | SBD |
Format | Unknown |
Equipment | Unknown |
Length | 117m |
Complete? | No |
Live Music Archive | 16-bit download |
Lowest Circulating Generation | Unknown Media/Gen > MP3 |
Notes | Possibly from the pro video soundtrack. To Sheila fades in. |
FM #1 | |
Source | FM |
Format | DAT |
Equipment | Unknown |
Length | 60m |
Complete? | No |
Lowest Circulating Generation | DDC-?(44.1k) > FLAC |
Live Music Archive | 16-bit download |
Notes | To Sheila, Tear, Pug, Bullet with Butterfly Wings, Shame, 1979, Ava Adore, and For Martha. Version also circulates from the "Shhh!" commercial bootleg. |
FM #2 | |
Source | FM |
Format | ANA |
Equipment | Sanyo FMT-450M (MPX filter) > Kenwood KX-880G |
Length | 60m |
Complete? | No |
Lowest Circulating Generation | ANA-M > dEdit > FLAC |
Notes | To Sheila, Tear, Pug, Bullet with Butterfly Wings, Shame, 1979, Ava Adore, and For Martha. |
PRO #1b | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | 3m |
Complete? | No |
Notes | One interview question with Corgan, Wretzky, Iha at the docks and beginning of To Sheila. |
PRO #1c | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | 4m |
Complete? | No |
Notes | To Sheila only |
Unsurfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
PRO #1a | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams (two) |
Length | 30m |
Complete? | No |
Notes | Virgin Records promo. One camera on stage (roving), one on tripod 50 yards back. |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams (two) |
Length | Unknown |
Complete? | Yes |
Notes | One camera on stage (roving), one on tripod 50 yards back. |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~120m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Soundcheck:
- For Martha
- For Martha (abandoned)
- Pug
- Perfect
- Perfect (abandoned)
- Appels + Oranjes
Set:
- To Sheila
- Tear
- Once Upon a Time
- Crestfallen
- Pug
- Daphne Descends
- Let Me Give the World to You
- Tonight, Tonight
- Appels + Oranjes
- (percussion solo)
- Space Jam (tease)
- Bullet with Butterfly Wings
- Shame
- Rock You Like a Hurricane [Scorpions] (tease)
- 1979
- Ava Adore
- For Martha
Encore:
- Thru the Eyes of Ruby
Notes
- Tonight, Tonight and Appels + Oranjes performed acoustic
- First performances of Pug, Appels + Oranjes, and For Martha
Banter
To Sheila
Tear
D’arcy: Hello. It's very nice to be here in your city...for the very first time, it's very beautiful and you're very nice audience, thank you.
Once Upon a Time
> Crestfallen
BC: Thank you, good evening, hi. Buena sera! Thank you so much for coming tonight, it's wonderful to see you. Tonight we're mostly playing - I'll speak really slowly, (speaks really slowly) tonight we're mostly playing songs from our new album...which is titled Go Ferrari Go. No no, it's called Adore. This is a little song called Pug, P-U-G, Pug.
Pug
Daphne Descends
Let Me Give the World to You
BC: Thank you so much. (Billy and Iha soundcheck their guitars) Okay... (Italian accent) What is this-a feedback shit? (normal voice) Heh heh, you ready over there?
Iha: Oh yeah.
BC: Hey uh, the low mids are really bad on this. On the vocal mostly. Okay, this next song, we know that you know it. It's a beautiful night, thank god. So simultaneously, we dedicate this song to you...but at the same time we want you to dedicate it back to us. Capisce?!
Tonight, Tonight (acoustic)
BC: God bless you, thank you.
Appels + Oranjes (acoustic)
> drum/percussion solo
> Bullet with Butterfly Wings (tease)
> Space Jam (tease)
> Bullet with Butterfly Wings
BC: I'm gettin' old, I can't quite scream like that anymore but sorry but I tried.
Shame
BC: We'd like to now take you back to a simpler time in our life (trails off laughing). Like to take you back all the way to 1976. No no no, 1976. Hit it, James, 1976.
Rock You Like a Hurricane (tease - about 8 notes)
1979
> Ava Adore
(D’arcy immediately after song starts: Thank you, grazie.)
For Martha
D’arcy: Grazie.
[encore break]
Thru the Eyes of Ruby
(BC at 8:34: We thank you so much, Genoa. God bless you, thank you, goodnight.)