Tsp1996-04-30: Difference between revisions

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! align="left" | Capacity
! align="left" | Capacity
| 5000
| 5000
|-
! align="left" | Lineup
| Corgan, Iha, Wretzky, Chamberlin, Melvoin
|-
! align="left" | Order of Bands
| Filter, The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 28: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| SS Mic>TCD-D7
| ECM-909A > TCD-D7
|-
|-
! align="left" | Length
! align="left" | Length
| 106m
| 105m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 37: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-?>CDR
| DDC-5 > dEdit > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp1996-04-30.flac16 16-bit recording]
|-
|-
! align="left" | Notes
! align="left" | Notes
| DAT-?>ANA-?>FLAC transfer also circulates, but may actually be AUD #2.
| DDC-? > CDR and DDC-? > ANA-? > FLAC transfers also circulate.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
Line 53: Line 62:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| ECM-909>TCD-D7
| SS Mic > TCD-D7
|-
|-
! align="left" | Length
! align="left" | Length
Line 60: Line 69:
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1
|-
! align="left" | Source
| SBD
|-
! align="left" | Format
| ADAT
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| ~110m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Notes
| Vault copy.
|-
|-
|}
|}
Line 84: Line 113:
* Mayonaise
* Mayonaise
Encore Three:
Encore Three:
* Silverfuck
* Silverfuck [23:07]
** Dose [Filter] (tease)
* Farewell and Goodnight
* Farewell and Goodnight
=== Notes ===
* Disarm performed acoustic


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
Mellon Collie and the Infinite Sadness Intro<br>
'''Fuck You'''<br>
> '''Zero'''<br>
BC: Hi.<br>
'''Today'''<br>
D’arcy: [2 unintelligible words].<br>
'''Tonight, Tonight'''<br>
BC: ''(lispy)'' Gracias.<br>
'''To Forgive'''<br>
> “Welcome to our circle of friends” tape<br>
> '''Bullet with Butterfly Wings'''<br>
'''Porcelina of the Vast Oceans / Rocket'''<br>
BC: Thank you.  Hola.  You, stop it.  Um, thank you very much for coming to the concert tonight.  Andy...we just wanna say hi.<br>
Iha: Hey, hey, everyone, hi hi hi!<br>
BC: We just want you to know that we love coming to Barcelona, it's a wonderful city.  We appreciate your support very much, um, we were talking to some people and we first played in Barcelona in 1991 and I think we played to 140 people so um, thank you so much for coming.  So we dedicate this song to you.<br>
'''Disarm''' (acoustic)<br>
Circus tape<br>
> '''Geek U.S.A.'''<br>
> '''Cherub Rock'''<br>
Iha: Woo!  That was a hot one.  How is everybody, okay?  Yes?  Good.  We will keep rocking.<br>
BC: Like to play you one of our favorite songs.  It's on our new album.  Uh, new-ay song-ay, album-ay....<br>
Iha: Named Muzzle.<br>
BC: ...recent-ay.<br>
Iha: Mussels from a shell.<br>
BC: Hey look, it's Romário!  Hi Romário!<br>
Iha: Hey, what’s up, dude?<br>
BC: Romário!<br>
Iha: Uh, he wants - he wants my tie.  Tell him I only have one tie.<br>
BC: Wait, that's Maradona.  Oh, sorry, Robert Benjamin.  Heh, ya, heh heh.  Okay, this is one of our favorite songs and uh, we hope you like it because if you don't, it’s too bad.<br>
'''Muzzle'''<br>
[encore break]<br>
Iha: [tape cut] [unintelligible], this fine tune here.  Is everybody ready to dance?  Okay.  Well, I'm gonna dance.  So this next song, everybody do something remotely close to dancing.  Jump up and down, twirl, tap dance, whatever you - whatever you feel like.<br>
'''1979'''<br>
“Popcorn in all sizes” tape<br>
> '''X.Y.U.'''<br>
[encore break]<br>
Iha: Gracias.  How are you?<br>
BC: Thank you, uh, we'd like to play an old song, um, now.  This is from our first album, Journey Through the - Journey Through the Center of the Gnome's Eye.  It came out in about 1972.<br>
'''Mayonaise'''<br>
BC: God bless you, thank you.<br>
[encore break]<br>
Iha: Oh yeah!  Oh yeah!  Throw up a hand for the third fuckin’ encore.  Chi-town style, I feel the Windy City.  A little backstage rednecks right there.  Whoosh.  On this next song, we would - we would ask you to open your mind.  ''(Jimmy starts Silverfuck)''  Slit your brain in half and find that creative...open artistic part.<br>
'''Silverfuck / Dose'''<br>
> '''Farewell and Goodnight'''<br>
''(below is over piano outro)''<br>
D’arcy: Goodnight, goodbye everyone.<br>
BC: Gracias.  May god bless you, thank you.<br>
Iha: Goodnight everybody.<br>
Jimmy: G’day, Bill.<br>
Iha: G’day.<br>
D’arcy: [unintelligible but sounds like “eye of legends”]<br>
BC: Goodnight, James.<br>
Iha: Goodnight, tech one.  Goodnight!<br>
BC: Goodnight back there!  Goodnight back there.  Night tuck in.  ''(growls)''<br>
Iha: ''(gruff voice)'' Goodnight, Yelena!  Aye!  Goodnight, Valjean!  Goodnight, Jonathan!  You dirty SOB playing piano, Jonathon Melvoin on the keys.<br>
> '''Mellon Collie and the Infinite Sadness''' (tease)<br>
</blockquote>
</blockquote>

Latest revision as of 11:04, 24 January 2021

The Smashing Pumpkins
Date 1996-04-30
Venue Palau D'Esports
Location Barcelona, ES
Venue Type Arena
Capacity 5000
Lineup Corgan, Iha, Wretzky, Chamberlin, Melvoin
Order of Bands Filter, The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment ECM-909A > TCD-D7
Length 105m
Complete? Yes
Lowest Circulating Generation DDC-5 > dEdit > FLAC
Live Music Archive 16-bit recording
Notes DDC-? > CDR and DDC-? > ANA-? > FLAC transfers also circulate.
Unsurfaced Recordings
AUD #2
Source AUD
Format DAT
Equipment SS Mic > TCD-D7
Length 108m
Complete? Unknown
SBD #1
Source SBD
Format ADAT
Equipment Unknown
Length ~110m
Complete? Yes
Notes Vault copy.

Setlist


Set:

  • Mellon Collie and the Infinite Sadness (over PA)
  • Fuck You
  • Zero
  • Today
  • Tonight, Tonight
  • To Forgive
  • Bullet with Butterfly Wings
  • Porcelina of the Vast Oceans
    • Rocket (tease)
  • Disarm
  • Geek U.S.A.
  • Cherub Rock
  • Muzzle

Encore One:

  • 1979
  • X.Y.U.

Encore Two:

  • Mayonaise

Encore Three:

  • Silverfuck [23:07]
    • Dose [Filter] (tease)
  • Farewell and Goodnight

Notes

  • Disarm performed acoustic

Banter

Mellon Collie and the Infinite Sadness Intro
Fuck You
> Zero
BC: Hi.
Today
D’arcy: [2 unintelligible words].
Tonight, Tonight
BC: (lispy) Gracias.
To Forgive
> “Welcome to our circle of friends” tape
> Bullet with Butterfly Wings
Porcelina of the Vast Oceans / Rocket
BC: Thank you. Hola. You, stop it. Um, thank you very much for coming to the concert tonight. Andy...we just wanna say hi.
Iha: Hey, hey, everyone, hi hi hi!
BC: We just want you to know that we love coming to Barcelona, it's a wonderful city. We appreciate your support very much, um, we were talking to some people and we first played in Barcelona in 1991 and I think we played to 140 people so um, thank you so much for coming. So we dedicate this song to you.
Disarm (acoustic)
Circus tape
> Geek U.S.A.
> Cherub Rock
Iha: Woo! That was a hot one. How is everybody, okay? Yes? Good. We will keep rocking.
BC: Like to play you one of our favorite songs. It's on our new album. Uh, new-ay song-ay, album-ay....
Iha: Named Muzzle.
BC: ...recent-ay.
Iha: Mussels from a shell.
BC: Hey look, it's Romário! Hi Romário!
Iha: Hey, what’s up, dude?
BC: Romário!
Iha: Uh, he wants - he wants my tie. Tell him I only have one tie.
BC: Wait, that's Maradona. Oh, sorry, Robert Benjamin. Heh, ya, heh heh. Okay, this is one of our favorite songs and uh, we hope you like it because if you don't, it’s too bad.
Muzzle
[encore break]
Iha: [tape cut] [unintelligible], this fine tune here. Is everybody ready to dance? Okay. Well, I'm gonna dance. So this next song, everybody do something remotely close to dancing. Jump up and down, twirl, tap dance, whatever you - whatever you feel like.
1979
“Popcorn in all sizes” tape
> X.Y.U.
[encore break]
Iha: Gracias. How are you?
BC: Thank you, uh, we'd like to play an old song, um, now. This is from our first album, Journey Through the - Journey Through the Center of the Gnome's Eye. It came out in about 1972.
Mayonaise
BC: God bless you, thank you.
[encore break]
Iha: Oh yeah! Oh yeah! Throw up a hand for the third fuckin’ encore. Chi-town style, I feel the Windy City. A little backstage rednecks right there. Whoosh. On this next song, we would - we would ask you to open your mind. (Jimmy starts Silverfuck) Slit your brain in half and find that creative...open artistic part.
Silverfuck / Dose
> Farewell and Goodnight
(below is over piano outro)
D’arcy: Goodnight, goodbye everyone.
BC: Gracias. May god bless you, thank you.
Iha: Goodnight everybody.
Jimmy: G’day, Bill.
Iha: G’day.
D’arcy: [unintelligible but sounds like “eye of legends”]
BC: Goodnight, James.
Iha: Goodnight, tech one. Goodnight!
BC: Goodnight back there! Goodnight back there. Night tuck in. (growls)
Iha: (gruff voice) Goodnight, Yelena! Aye! Goodnight, Valjean! Goodnight, Jonathan! You dirty SOB playing piano, Jonathon Melvoin on the keys.
> Mellon Collie and the Infinite Sadness (tease)