Tsp1996-04-16: Difference between revisions

From SPLRA
Jump to navigation Jump to search
No edit summary
 
(3 intermediate revisions by 2 users not shown)
Line 91: Line 91:
* Muzzle
* Muzzle
* Heartbreaker [Led Zeppelin] (tease)
* Heartbreaker [Led Zeppelin] (tease)
** Moby Dick [Led Zeppelin] (tease)
** Special Winner's Song (tease)
* How Many More Times [Led Zeppelin] (tease)
* How Many More Times [Led Zeppelin] (tease)
* Bring It On Home [Led Zeppelin] (tease)
* Bring It On Home [Led Zeppelin] (tease)
Line 99: Line 99:
Encore Three:
Encore Three:
* Bodies
* Bodies
* Silverfuck
* Silverfuck [16:45]
** Dose [Filter] (tease)
** Dose [Filter] (tease)
* Farewell and Goodnight
* Farewell and Goodnight
Line 106: Line 106:
=== Notes ===
=== Notes ===
* Disarm performed acoustic
* Disarm performed acoustic
* Billy plays drums during the disco improv


== Banter ==
== Banter ==
<blockquote>
<blockquote>
<b>Mellon Collie and the Infinite Sadness (PA intro)<br>
Mellon Collie and the Infinite Sadness Intro<br>
Tonight, Tonight<br>
'''Tonight, Tonight'''<br>
Zero<br>
'''Zero'''<br>
Fuck You<br></b>
> '''Fuck You'''<br>
Wretzky: Danke schoen.<br>
D’arcy: Danke schoen.<br>
<b>We Only Come Out at Night tease<br></b>
'''We Only Come Out at Night''' (tease - Billy sings one chorus acapella)<br>
Corgan: Thank you very much, we're the sucking, I mean the Smashing Pumpkins.<br>
BC: Thank you very much.  We're the Sucking, I mean the Smashing Pumpkins.<br>
<b>Today<br>
'''Today'''<br>
To Forgive<br>
'''To Forgive'''<br>
Bullet with Butterfly Wings<br></b>
“Welcome to our circle of friends” tape<br>
Corgan: Hi um, thank you for coming. I believe this is the first time we've ever been to Hannover. Have we been to Hannover before? No, yeah right. Well it's nice to be here, in this submarine factory. Like to play another song from our sad album, it's called Thru the Eyes of Ruby.<br>
> '''Bullet with Butterfly Wings'''<br>
<b>Thru the Eyes of Ruby<br>
BC: Hi um...thank you for coming. I believe this is the first time we've ever been to Hannover. Have we been to Hannover before? No, right, yeah, right. Well it's nice to be here...in the submarine factory. Like to play another song from our sad album.  It's called Thru the Eyes of Rudi.<br>
Porcelina of the Vast Oceans<br>
'''Thru the Eyes of Ruby'''<br>
Disarm<br>
'''Porcelina of the Vast Oceans'''<br>
Geek U.S.A.<br>
'''Disarm''' (acoustic)<br>
Cherub Rock<br></b>
Circus tape<br>
Corgan: Thanks. Hit it, Johnny!<br>
> '''Geek U.S.A.'''<br>
<b>1979<br></b>
'''Cherub Rock'''<br>
Corgan: Thanks.<br>
BC: Thanks. Hit it, Johnny!<br>
'''1979'''<br>
BC: Thanks.<br>
[encore break]<br>
[encore break]<br>
Iha: Alright! I can't hear you Hannover! How is everyone, ok? Is it too hot? Yes? Well, I can offer no relief. Except for this song, another sad anthem we give you.<br>
Iha: Alright! ''(high pitched)'' I can't hear you, Hannover! ''(normal voice)'' How is everyone, okay? Is it too hot? Yes? Well...I can offer no relief. Except for this song.  Another sad anthem, we give you.<br>
<b>Muzzle<br>
'''Muzzle'''<br>
Heartbreaker tease / Moby Dick tease<br></b>
'''Heartbreaker''' (tease)<br>
Iha: Oh yes.<br>
> '''Special Winner’s Song''' (tease - Iha plays the riff twice over Heartbreaker)<br>
<b>How Many More Times tease<br>
'''How Many More Times''' (tease)<br>
Bring It On Home tease<br></b>
(Iha: Oh yes. ''(German accent)'' What is your story for the [unintelligible]?  ''(normal voice)'' You see, we’re from Chicago, we got the blues.  It’s a windy city out there.  I just wanna tell you people from Hannover, I think it’s crazy we’re playing in a submarine factory.  I think you people are crazy, come on!  ''(high pitched)'' Come on!!  ''(normal voice)'' You’re at a rock concert!  Just do something, yes!  Clap those fuckin’ hands of yours!  Hannover!  Woo!)<br>
Iha: We're really sorry, we'll just, we'll just play a song any minute. Anyways, you've been a very nice audience, we appreciate that, and we will keep rocking for you people.<br>
Iha: Yeah, yeah.<br>
<b>X.Y.U.<br></b>
> '''Bring It On Home''' (tease)<br>
Iha: We're really sorry, we'll just, we'll just play a...song any minute. Anyways, you've been a very nice audience, we appreciate that and uh, we will keep rocking for you people.<br>
'''X.Y.U.'''<br>
[encore break]<br>
[encore break]<br>
Corgan: Thank you, thank you so much. We realize we don't talk much, but usually when we open our mouths we say something stupid, it's why we don't say enough. So we dedicate this song to you, thank you so much for coming tonight.<br>
BC: Thank you, thank you so much. We realize we don't talk much but...usually when we open our mouths we say something stupid so...<br>
<b>Mayonaise</b><br>
Iha: Yeah.<br>
Corgan: God bless you, thank you so much, goodnight.<br>
BC: ...it's why we don't say enough.<br>
''(short shrieking noise)''<br>
Iha: A mount echo.<br>
BC: Kinda thought that was feedback.  So we dedicate this song to you, thank you so much for coming tonight.<br>
'''Mayonaise'''<br>
BC: God bless you, thank you so much, goodnight.<br>
[encore break]<br>
[encore break]<br>
Iha: Yes, we're back.<br>
Iha: Yes, we're back!<br>
Corgan: Hey god, the sun's too bright! Turn it down, thank you god.<br>
'''Bodies'''<br>
<b>Bodies<br>
(BC over intro feedback: Hey god, the sun's too bright! Thank you, god.)<br>
Silverfuck / Dose tease<br>
> '''Silverfuck / Dose'''<br>
Farewell and Goodnight</b><br>
> '''Farewell and Goodnight'''<br>
Iha: Good night, everyone.<br>
''(below is over piano outro)''<br>
Corgan: Thank you.<br>
Iha: Goodnight, everyone, goodnight.<br>
Wretzky: Thank you, goodnight.<br>
BC: Thank you.<br>
Corgan: Thank you so much, god bless you, thank you.<br>
D’arcy: Thank you, goodnight.<br>
Iha: Goodbye, goodnight, see ya later. Wow! Yeah, goodnight motherfucker, yeah, goodnight motherfucker! Come on! Yeah! Get behind those mother fuckin' drums. Yeah, play that disco-ass bullshit you got going on. Get on your mother fucking feet Hannover.<br>
BC: Thank you so much.  God bless you, thank you. ''(Satanic voice)'' Goodbye, goodnight, see ya later. Wow!<br>
<b>disco improv</b>
Iha: Yeah!  Goodnight motherfucker, heh heh.  Yeah!  Goodnight motherfucker! Come on! Yeah! Get behind those motherfuckin' drums.<br>
> '''disco improv''' (Billy on drums w/Melvoin on keyboard)<br>
(Iha: Yeah, play that disco ass bullshit you got going on, get on your motherfucking feet, Hannover!  Jump, you motherfuckers!  Jump, jump, you dumb motherfuckers!  Yeah, come on!  Get your fuckin’ hands in the air like you just don’t care!  Uh huh, do it up in Hannover, kickin’ that dope ass fuckin’ homey G motherfuckin’ Chicago beat!  Yeah!  Come on!  ''(keyboard and drums stop)''  Unh!  Can’t tune now...with arena rock.  ''(drums and keyboard kick back in)''  Here we are, go jam, unh. I see you, motherfucker.  My name is fuckin’ James Iha.  I don’t fuckin’ care about anything!  That’s right, ‘cause I’m a bad ass!  Unh!  Goin’ on, here we are.  Billy C on the fuckin’ drums.  Jonathan Melvoin on the motherfuckin’ keyboard.  Here we go, one more time.  Unh!  On and on.  Come on, one more time!  Up in the fuckin’ air!  Come on!  Come on!  Woo!  Yeah!  I’m crazy!  I’m so fuckin’ crazy!  Yeah!  Yeah!  Yeaaaaah!!  Aaaaaahh!!  ''(throws mic on ground)'')<br>
</blockquote>
</blockquote>

Latest revision as of 14:39, 23 January 2021

The Smashing Pumpkins
Date 1996-04-16
Venue Music Hall
Location Hannover, DE
Venue Type Converted Factory
Capacity 4000
Lineup Corgan, Iha, Wretzky, Chamberlin, Melvoin
Order of Bands Filter, The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment SS Mic > TCD-D7
Length 123m
Complete? Yes
Lowest Circulating Generation DAT-M > CDR
Live Music Archive 16-bit recording
Unsurfaced Recordings
SBD #1
Source SBD
Format ADAT
Equipment Unknown
Length ~125m
Complete? Yes
Notes Vault copy.

Setlist


Set:

  • Mellon Collie and the Infinite Sadness (over PA)
  • Tonight, Tonight
  • Zero
  • Fuck You
  • We Only Come Out at Night (tease)
  • Today
  • To Forgive
  • Bullet with Butterfly Wings
  • Thru the Eyes of Ruby
  • Porcelina of the Vast Oceans
  • Disarm
  • Geek U.S.A.
  • Cherub Rock
  • 1979

Encore One:

  • Muzzle
  • Heartbreaker [Led Zeppelin] (tease)
    • Special Winner's Song (tease)
  • How Many More Times [Led Zeppelin] (tease)
  • Bring It On Home [Led Zeppelin] (tease)
  • X.Y.U.

Encore Two:

  • Mayonaise

Encore Three:

  • Bodies
  • Silverfuck [16:45]
    • Dose [Filter] (tease)
  • Farewell and Goodnight
  • (disco improv)

Notes

  • Disarm performed acoustic
  • Billy plays drums during the disco improv

Banter

Mellon Collie and the Infinite Sadness Intro
Tonight, Tonight
Zero
> Fuck You
D’arcy: Danke schoen.
We Only Come Out at Night (tease - Billy sings one chorus acapella)
BC: Thank you very much. We're the Sucking, I mean the Smashing Pumpkins.
Today
To Forgive
“Welcome to our circle of friends” tape
> Bullet with Butterfly Wings
BC: Hi um...thank you for coming. I believe this is the first time we've ever been to Hannover. Have we been to Hannover before? No, right, yeah, right. Well it's nice to be here...in the submarine factory. Like to play another song from our sad album. It's called Thru the Eyes of Rudi.
Thru the Eyes of Ruby
Porcelina of the Vast Oceans
Disarm (acoustic)
Circus tape
> Geek U.S.A.
Cherub Rock
BC: Thanks. Hit it, Johnny!
1979
BC: Thanks.
[encore break]
Iha: Alright! (high pitched) I can't hear you, Hannover! (normal voice) How is everyone, okay? Is it too hot? Yes? Well...I can offer no relief. Except for this song. Another sad anthem, we give you.
Muzzle
Heartbreaker (tease)
> Special Winner’s Song (tease - Iha plays the riff twice over Heartbreaker)
How Many More Times (tease)
(Iha: Oh yes. (German accent) What is your story for the [unintelligible]? (normal voice) You see, we’re from Chicago, we got the blues. It’s a windy city out there. I just wanna tell you people from Hannover, I think it’s crazy we’re playing in a submarine factory. I think you people are crazy, come on! (high pitched) Come on!! (normal voice) You’re at a rock concert! Just do something, yes! Clap those fuckin’ hands of yours! Hannover! Woo!)
Iha: Yeah, yeah.
> Bring It On Home (tease)
Iha: We're really sorry, we'll just, we'll just play a...song any minute. Anyways, you've been a very nice audience, we appreciate that and uh, we will keep rocking for you people.
X.Y.U.
[encore break]
BC: Thank you, thank you so much. We realize we don't talk much but...usually when we open our mouths we say something stupid so...
Iha: Yeah.
BC: ...it's why we don't say enough.
(short shrieking noise)
Iha: A mount echo.
BC: Kinda thought that was feedback. So we dedicate this song to you, thank you so much for coming tonight.
Mayonaise
BC: God bless you, thank you so much, goodnight.
[encore break]
Iha: Yes, we're back!
Bodies
(BC over intro feedback: Hey god, the sun's too bright! Thank you, god.)
> Silverfuck / Dose
> Farewell and Goodnight
(below is over piano outro)
Iha: Goodnight, everyone, goodnight.
BC: Thank you.
D’arcy: Thank you, goodnight.
BC: Thank you so much. God bless you, thank you. (Satanic voice) Goodbye, goodnight, see ya later. Wow!
Iha: Yeah! Goodnight motherfucker, heh heh. Yeah! Goodnight motherfucker! Come on! Yeah! Get behind those motherfuckin' drums.
> disco improv (Billy on drums w/Melvoin on keyboard)
(Iha: Yeah, play that disco ass bullshit you got going on, get on your motherfucking feet, Hannover! Jump, you motherfuckers! Jump, jump, you dumb motherfuckers! Yeah, come on! Get your fuckin’ hands in the air like you just don’t care! Uh huh, do it up in Hannover, kickin’ that dope ass fuckin’ homey G motherfuckin’ Chicago beat! Yeah! Come on! (keyboard and drums stop) Unh! Can’t tune now...with arena rock. (drums and keyboard kick back in) Here we are, go jam, unh. I see you, motherfucker. My name is fuckin’ James Iha. I don’t fuckin’ care about anything! That’s right, ‘cause I’m a bad ass! Unh! Goin’ on, here we are. Billy C on the fuckin’ drums. Jonathan Melvoin on the motherfuckin’ keyboard. Here we go, one more time. Unh! On and on. Come on, one more time! Up in the fuckin’ air! Come on! Come on! Woo! Yeah! I’m crazy! I’m so fuckin’ crazy! Yeah! Yeah! Yeaaaaah!! Aaaaaahh!! (throws mic on ground))