Tsp1998-07-31B: Difference between revisions

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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid;  
{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px
 
border-collapse: collapse; font-size: 95%;" align="right" width=280px
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
|-
|-
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|-
|-
! align="left" | Venue
! align="left" | Venue
| Orpheum Theater
| Orpheum Theatre
|-
|-
! align="left" | Location
! align="left" | Location
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|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Theater/Auditorium
| Theater
|-
! align="left" | Capacity
| 2,800
|-
! align="left" | Lineup
| Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
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|-
|-
! align="left" | Source
! align="left" | Source
| PRO
| FM
|-
|-
! align="left" | Format
! align="left" | Format
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| FM>Sony PCM-R300
| R300
|-
|-
! align="left" | Length
! align="left" | Length
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|-
|-
! align="left" | Complete?
! align="left" | Complete?
| No, fades in/out between Appels + Oranjes and Bullet with Butterfly Wings [presumably commercial break or
| Yes
 
set change] and during encore break [presumably charity check presentation and crowd noise]
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| DAT-M>CDR
| DAT-M > CDR
|-
|-
! align="left" | Notes
! align="left" | Live Music Archive
| Most circulating copies originated from Dave Asselin's recording as transferred by Fares Halteh.
| [http://www.archive.org/details/tsp1998-07-31.FM.flac16 16-bit download]
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBmod>M1
| CSBMod > M1
|-
|-
! align="left" | Length
! align="left" | Length
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! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Unknown
|-
! align="left" | Notes
| Right side, back of orchestra section.
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
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|-
|-
! align="left" | Equipment
! align="left" | Equipment
| CSBmod>MS702
| CSBMod > MS702
|-
! align="left" | Length
| ~105m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Right side, back of orchestra section.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| ANA
|-
! align="left" | Equipment
| built-in > Walkman
|-
|-
! align="left" | Length
! align="left" | Length
| 110m
| Unknown
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Unknown
| Unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1
|-
! align="left" | Source
| SBD
|-
! align="left" | Format
| ADAT
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| ~105m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Notes
| Vault copy.
|-
|-
|}
|}
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* Annie-Dog
* Annie-Dog
* Thru the Eyes of Ruby
* Thru the Eyes of Ruby
(acoustic)
* Tonight, Tonight
* Tonight, Tonight
* Perfect
* Perfect
* Appels + Oranjes
* Appels + Oranjes
* Bullet with Butterfly Wings
* (percussion solo)
** Where Boys Fear to Tread (tease)
** Bullet with Butterfly Wings
* Shame
* Shame
* For Martha
* For Martha
Encore:
Encore:
* 1979
* 1979
* Blank Page
* Summertime [Gershwin/Heyward] (tease)
** Blank Page
 
=== Notes ===
* Tonight, Tonight, Perfect, and Appels + Oranjes performed acoustic
* Final performance of Appels + Oranjes


== Banter ==
== Banter ==
<blockquote>
<blockquote>
<b>To Sheila</b><br>
'''To Sheila'''<br>
<b>Behold! the Night Mare</b><br>
> '''Behold! The Night Mare'''<br>
<b>Pug</b><br>
> '''Pug'''<br>
<b>Once Upon a Time</b><br>
> '''Once Upon a Time'''<br>
<b>Ava Adore</b><br>
> '''Ava Adore'''<br>
<b>Tear</b><br>
'''Tear'''<br>
<b>Annie-Dog</b><br>
'''Annie-Dog'''<br>
<b>Thru the Eyes of Ruby</b><br>
'''Thru the Eyes of Ruby'''<br>
Corgan: Thank you very much. Thank you. Thank you, naked man, thank you.  Later on, he's going to get naked  
BC: Thank you very much, thank you. Thank you, naked man, thank you, heh heh.  Later on, he's going to get naked for charity, but uh... heh heh heh heh.  We'd like to thank you for uh - for coming to share this special night with us, this special charity concert. Take it all off, naked man, take it all off for charity.  We may have to donate some money to get you to take your clothes off but um, heh heh heh, heh heh heh heh.<br>
 
Iha: Yeah, you might want to keep it on.<br>
for charity, but em... heh.  We'd like to thank you for sharing this special night with us, this special  
BC: It's very nice to be back here in Boston, we appreciate you coming out. So uh, heh heh, we'd like to dedicate this song to all of you.  This is Tonight, Tonight.<br>
 
'''Tonight, Tonight''' (acoustic)<br>
charity concert. Take it all off, naked man, take it all off, for charity.  we may have to donate some more
'''Perfect''' (acoustic)<br>
 
'''Appels + Oranjes''' (acoustic)<br>
money to get you to take it all off, but uh...heh...<br>
BC: Thank you.<br>
Iha: Might want to keep it on.<br>
> '''drum/percussion solo'''<br>
Corgan: It's very nice to be back here, in Boston.  We appreciate you coming out. So, we'd like to dedicate  
> '''Where Boys Fear to Tread''' (tease)<br>
 
> '''Bullet with Butterfly Wings'''<br>
this song to all of you.  This is Tonight, Tonight.<br>
> '''Shame'''<br>
<b>Tonight, Tonight</b><br>
'''For Martha'''<br>
<b>Perfect</b><br>
BC: God bless you, thank you, goodnight.<br>
<b>Appels + Oranjes</b>
[encore break]<br>
Corgan: Thank you.<br>
'''1979'''<br>
<b>Bullet with Butterfly Wings</b><br>
> '''Summertime''' (tease)<br>
<b>Shame</b><br>
> '''Blank Page'''<br>
<b>For Martha</b><br>
BC: God bless you, thank you.<br>
Intermission...
Corgan: One, two, three, four.<br>
<b>1979</b><br>
<b>Blank Page</b><br>
Corgan: God bless you, thank you.<br>
Iha: Thanks a lot.  Night.<br>
Iha: Thanks a lot.  Night.<br>
</blockquote>
</blockquote>
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==Photos and Memorabillia==
==Photos and Memorabillia==
[[Image:980731.jpg|125px|left]]
[[Image:980731.jpg|125px|left]]
[[Image:980731-Poster.jpg|105px|left]]
[[Image:Tsp-1998-05120808-TourShirt_back.jpg|105px|left]]

Latest revision as of 18:18, 16 December 2020

The Smashing Pumpkins
Date 1998-07-31
Venue Orpheum Theatre
Location Boston, MA, US
Venue Type Theater
Capacity 2,800
Lineup Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges
Order of Bands The Smashing Pumpkins
Surfaced Recordings
FM #1
Source FM
Format DAT
Equipment R300
Length 103m
Complete? Yes
Lowest Circulating Generation DAT-M > CDR
Live Music Archive 16-bit download
Unsurfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment CSBMod > M1
Length 107m
Complete? Unknown
Notes Right side, back of orchestra section.
AUD #2
Source AUD
Format MD
Equipment CSBMod > MS702
Length ~105m
Complete? Unknown
Notes Right side, back of orchestra section.
AUD #3
Source AUD
Format ANA
Equipment built-in > Walkman
Length Unknown
Complete? Unknown
SBD #1
Source SBD
Format ADAT
Equipment Unknown
Length ~105m
Complete? Yes
Notes Vault copy.

Setlist

Set:

  • To Sheila
  • Behold! the Night Mare
  • Pug
  • Once Upon a Time
  • Ava Adore
  • Tear
  • Annie-Dog
  • Thru the Eyes of Ruby
  • Tonight, Tonight
  • Perfect
  • Appels + Oranjes
  • (percussion solo)
    • Where Boys Fear to Tread (tease)
    • Bullet with Butterfly Wings
  • Shame
  • For Martha

Encore:

  • 1979
  • Summertime [Gershwin/Heyward] (tease)
    • Blank Page

Notes

  • Tonight, Tonight, Perfect, and Appels + Oranjes performed acoustic
  • Final performance of Appels + Oranjes

Banter

To Sheila
> Behold! The Night Mare
> Pug
> Once Upon a Time
> Ava Adore
Tear
Annie-Dog
Thru the Eyes of Ruby
BC: Thank you very much, thank you. Thank you, naked man, thank you, heh heh. Later on, he's going to get naked for charity, but uh... heh heh heh heh. We'd like to thank you for uh - for coming to share this special night with us, this special charity concert. Take it all off, naked man, take it all off for charity. We may have to donate some money to get you to take your clothes off but um, heh heh heh, heh heh heh heh.
Iha: Yeah, you might want to keep it on.
BC: It's very nice to be back here in Boston, we appreciate you coming out. So uh, heh heh, we'd like to dedicate this song to all of you. This is Tonight, Tonight.
Tonight, Tonight (acoustic)
Perfect (acoustic)
Appels + Oranjes (acoustic)
BC: Thank you.
> drum/percussion solo
> Where Boys Fear to Tread (tease)
> Bullet with Butterfly Wings
> Shame
For Martha
BC: God bless you, thank you, goodnight.
[encore break]
1979
> Summertime (tease)
> Blank Page
BC: God bless you, thank you.
Iha: Thanks a lot. Night.

Photos and Memorabillia

980731.jpg
980731-Poster.jpg
Tsp-1998-05120808-TourShirt back.jpg
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