Tsp2000-10-20: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 12,760 | | 12,760 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 51: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| M-17>MZ-R90 | | M-17 > MZ-R90 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 134m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 60: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| MD-M>CDR | | MD-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-10-20.shn 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Ten meters from left stacks. Minor phasing and distortion. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| SS-DSM-6S>PA-6LC3>M1 | | SS-DSM-6S > PA-6LC3 > M1(48k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 80: | Line 92: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>dEdit>FLAC | | DAT-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-10-20.DSM-6S.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Starts before Speed Kills. Dropout in Fuck You. Superior to other recordings. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Unknown | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| 132m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| Unknown Media/Gen > CDR | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-10-20.aud4.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Discovered in a record store in Ghent. Cut in Heavy Metal Machine. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
Line 104: | Line 145: | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [ | ** Once in a Lifetime [Talking Heads] [4:56] | ||
* Speed Kills | * Speed Kills | ||
* If There Is a God | * If There Is a God | ||
Line 116: | Line 157: | ||
Encore On: | Encore On: | ||
* Fuck You | * Fuck You | ||
* (blues jam) | * (blues jam) [4:14] | ||
** Sunshine of Your Love [Cream] (tease) | ** Sunshine of Your Love [Cream] (tease) | ||
* Ava Adore | * Ava Adore | ||
** Batman Theme [Hefti] (tease) | |||
Encore Two: | Encore Two: | ||
* 1979 | * 1979 | ||
* | |||
=== Notes === | |||
* Glass and the Ghost Children, Today, Stand Inside Your Love, Thirty-three, To Sheila, Disarm, and 1979 performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Silent Machines Intro<br> | ||
'''Glass and the Ghost Children''' (acoustic)<br> | |||
'''Today''' (acoustic)<br> | |||
BC: Good evening.<br> | |||
'''Stand Inside Your Love''' (acoustic)<br> | |||
'''Thirty-three''' (acoustic)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
'''Blue Skies Bring Tears''' (acoustic)<br> | |||
'''Glass’ Theme'''<br> | |||
> '''The Everlasting Gaze'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
'''Speed Kills'''<br> | |||
'''If There is a God'''<br> | |||
> '''Cash Car Star'''<br> | |||
> '''Rock On''' (partial)<br> | |||
(BC after Iha intro: Right about now, right about now, right about now, right about now, right about now, ladies and gentlemen, ladies and gentlemen, ladies and gentlemen...we’re not gonna show you a white buffalo. We’re not gonna rain down armageddon upon your beautiful heads. We’re just gonna slither and slide around...with a simplicity of a name, rock and roll. Woo! Can I - can I feel you, yes, there you go.)<br> | |||
> '''Heavy Metal Machine'''<br> | |||
'''Disarm''' (acoustic)<br> | |||
> '''Tonight, Tonight'''<br> | |||
BC: Thank you very much, thank you. How is everybody doing tonight, how are you? ...<br> | |||
Iha: “Woooooooo!!! This shit is tore up! You played Disarm and Tonight, Tonight back to back! I love that!!” Sorry, we’ll keep playing.<br> | |||
BC: We’d now like to play for you our uh, lastest single, Try, Try, Try.<br> | |||
'''Try, Try, Try'''<br> | |||
> '''Porcelina of the Vast Oceans'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
'''Fuck You'''<br> | |||
BC: ''(raspy)'' Thank you very much. ''(making fun of his rasp)'' Thank you very much, thank you very much. ''(normal)'' Thank you very much. That was a song called Fuck You. But I didn’t mean it! Thank you very much. ''(plays a blues lick)'' James, I’d now now - ''(speaks gibberish)''. In F sharp.<br> | |||
'''blues jam'''<br> | |||
(Iha at 1:11: Ladies and gentlemen. Ladies and gentlemen. On the piano, on the piano, Mr. Mike Garson. On the crazy keyboards, crazy keyboards, Mr. Chris Holmes. On the bass guitar, all the way from Montreal, Miss Melissa Auf der Maur. Alright. Laying down that Kentucky groove, Mr. Badass himself on the drums, Mr. Jimmy Chamberlin! Makin’ that guitar talk and lead vocals, Mr. Billy Corgan! Yeah! Woo! ''(screams)'' You got it, you got it, you got it! I am Mr. James and I thank you very much.<br> | |||
BC: And in the John Travolta suit...he’s got the fever, it’s Saturday night, he’s feelin’ alright, he just got paid, Mr. James Iha! ''(Iha solos)'' Hey J, there you go.)<br> | |||
> '''Ava Adore'''<br> | |||
BC: Thank you very much.<br> | |||
[encore break]<br> | |||
BC: Thank you very much, thank you very much.<br> | |||
Iha: Thank you, thank you.<br> | |||
BC: Before we, uh, play our last song tonight, we’d like to say thank you very much to the Smashing Pumpkins fans, thank you.<br> | |||
Iha: We thank you all.<br> | |||
BC: Does anybody speak English? Okay. Couple of things, uh, sorry about the show in Brussels. I’m very sorry. Please forgive me...again. Second of all, um, since it is our last show in Belgium, we’d like to say that we’ll never forget that the first European country that actually liked our band was Belgium, so....<br> | |||
Iha: You rock.<br> | |||
BC: It of course only took the Germans five albums to understand the Smashing Pumpkins. Five albums for the Germans. Four for the Italians. Four for the French. Uh...three for the Portuguese, so thank you. And uh, this may sound like an odd request but my great grandmother was from Belgium and so, um...if anybody knows who my family was, heh heh, I’d really like to meet them. I’m sure, yeah, heh! Oh there you are, you’re my relative! Well, I did hear that in Belgium, all the brothers and sisters have sex so maybe we’re all related.<br> | |||
Iha: What is this?<br> | |||
BC: I heard in Belgium all the brothers and sisters have sex.<br> | |||
Iha: Ohhh...I do not know of this.<br> | |||
BC: You didn’t have sex with ''your'' brother?<br> | |||
Iha: Well...uh...no, I am from America.<br> | |||
BC: Oh. In America, you have sex with your cousins!<br> | |||
Iha: God bless America.<br> | |||
BC: ''(laughing)'' Yes, so thank you very much, uh, and uh, heh, please uh, family phone home. Um, goodbye.<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
</blockquote> | </blockquote> | ||
==Photos and Memorabillia== | ==Photos and Memorabillia== | ||
[[Image:20001020-stub.png|100px|left]] | [[Image:20001020-stub.png|100px|left]] | ||
[[Image:Tsp2000-10-20_ticket-front.jpg|100px|left]] | [[Image:Tsp2000-10-20_ticket-front.jpg|100px|left]] | ||
[[Image:Tsp2000-10-20-ticket_01369.JPG|100px|left]] | |||
[[Image:Tsp2000-10-20_ticket-back.jpg|100px|left]] | [[Image:Tsp2000-10-20_ticket-back.jpg|100px|left]] |
Latest revision as of 12:37, 26 September 2020
The Smashing Pumpkins | |
---|---|
Date | 2000-10-20 |
Venue | Flanders Expo |
Location | Ghent, BE |
Venue Type | Arena |
Capacity | 12,760 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 138m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Notes | Large amount of dropouts. |
AUD #2 | |
Source | AUD |
Format | MD |
Equipment | M-17 > MZ-R90 |
Length | 134m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > CDR |
Live Music Archive | 16-bit download |
Notes | Ten meters from left stacks. Minor phasing and distortion. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1(48k) |
Length | 82m |
Complete? | No |
Lowest Circulating Generation | DAT-M > dEdit > FLAC |
Live Music Archive | 16-bit download |
Notes | Starts before Speed Kills. Dropout in Fuck You. Superior to other recordings. |
AUD #4 | |
Source | AUD |
Format | Unknown |
Equipment | Unknown |
Length | 132m |
Complete? | No |
Lowest Circulating Generation | Unknown Media/Gen > CDR |
Live Music Archive | 16-bit download |
Notes | Discovered in a record store in Ghent. Cut in Heavy Metal Machine. |
Unsurfaced Recordings | |
- |
Setlist
Set One:
- Glass and the Ghost Children
- Le Deux Machina (tease)
- Today
- Stand Inside Your Love
- Thirty-three
- To Sheila
- Blue Skies Bring Tears
- (drum solo)
Set Two:
- Glass' Theme
- The Everlasting Gaze
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [4:56]
- Speed Kills
- If There Is a God
- Cash Car Star
- Rock On [Essex]
- Heavy Metal Machine
- Disarm
- Tonight, Tonight
- Try, Try, Try
- Porcelina of the Vast Oceans
Encore On:
- Fuck You
- (blues jam) [4:14]
- Sunshine of Your Love [Cream] (tease)
- Ava Adore
- Batman Theme [Hefti] (tease)
Encore Two:
- 1979
Notes
- Glass and the Ghost Children, Today, Stand Inside Your Love, Thirty-three, To Sheila, Disarm, and 1979 performed acoustic
Banter
Silent Machines Intro
Glass and the Ghost Children (acoustic)
Today (acoustic)
BC: Good evening.
Stand Inside Your Love (acoustic)
Thirty-three (acoustic)
To Sheila (acoustic)
Blue Skies Bring Tears (acoustic)
Glass’ Theme
> The Everlasting Gaze
> Bullet with Butterfly Wings
> Once in a Lifetime
Speed Kills
If There is a God
> Cash Car Star
> Rock On (partial)
(BC after Iha intro: Right about now, right about now, right about now, right about now, right about now, ladies and gentlemen, ladies and gentlemen, ladies and gentlemen...we’re not gonna show you a white buffalo. We’re not gonna rain down armageddon upon your beautiful heads. We’re just gonna slither and slide around...with a simplicity of a name, rock and roll. Woo! Can I - can I feel you, yes, there you go.)
> Heavy Metal Machine
Disarm (acoustic)
> Tonight, Tonight
BC: Thank you very much, thank you. How is everybody doing tonight, how are you? ...
Iha: “Woooooooo!!! This shit is tore up! You played Disarm and Tonight, Tonight back to back! I love that!!” Sorry, we’ll keep playing.
BC: We’d now like to play for you our uh, lastest single, Try, Try, Try.
Try, Try, Try
> Porcelina of the Vast Oceans
BC: Thank you.
[encore break]
Fuck You
BC: (raspy) Thank you very much. (making fun of his rasp) Thank you very much, thank you very much. (normal) Thank you very much. That was a song called Fuck You. But I didn’t mean it! Thank you very much. (plays a blues lick) James, I’d now now - (speaks gibberish). In F sharp.
blues jam
(Iha at 1:11: Ladies and gentlemen. Ladies and gentlemen. On the piano, on the piano, Mr. Mike Garson. On the crazy keyboards, crazy keyboards, Mr. Chris Holmes. On the bass guitar, all the way from Montreal, Miss Melissa Auf der Maur. Alright. Laying down that Kentucky groove, Mr. Badass himself on the drums, Mr. Jimmy Chamberlin! Makin’ that guitar talk and lead vocals, Mr. Billy Corgan! Yeah! Woo! (screams) You got it, you got it, you got it! I am Mr. James and I thank you very much.
BC: And in the John Travolta suit...he’s got the fever, it’s Saturday night, he’s feelin’ alright, he just got paid, Mr. James Iha! (Iha solos) Hey J, there you go.)
> Ava Adore
BC: Thank you very much.
[encore break]
BC: Thank you very much, thank you very much.
Iha: Thank you, thank you.
BC: Before we, uh, play our last song tonight, we’d like to say thank you very much to the Smashing Pumpkins fans, thank you.
Iha: We thank you all.
BC: Does anybody speak English? Okay. Couple of things, uh, sorry about the show in Brussels. I’m very sorry. Please forgive me...again. Second of all, um, since it is our last show in Belgium, we’d like to say that we’ll never forget that the first European country that actually liked our band was Belgium, so....
Iha: You rock.
BC: It of course only took the Germans five albums to understand the Smashing Pumpkins. Five albums for the Germans. Four for the Italians. Four for the French. Uh...three for the Portuguese, so thank you. And uh, this may sound like an odd request but my great grandmother was from Belgium and so, um...if anybody knows who my family was, heh heh, I’d really like to meet them. I’m sure, yeah, heh! Oh there you are, you’re my relative! Well, I did hear that in Belgium, all the brothers and sisters have sex so maybe we’re all related.
Iha: What is this?
BC: I heard in Belgium all the brothers and sisters have sex.
Iha: Ohhh...I do not know of this.
BC: You didn’t have sex with your brother?
Iha: Well...uh...no, I am from America.
BC: Oh. In America, you have sex with your cousins!
Iha: God bless America.
BC: (laughing) Yes, so thank you very much, uh, and uh, heh, please uh, family phone home. Um, goodbye.
1979 (acoustic, Jimmy plays guitar)