Tsp2007-06-06: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Cultural Venue | ||
|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 3500 | | 3500 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Chamberlin, Schroeder, Reyes, Harriton | ||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 31: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| MBHO MBP 603A+KA 200N>MP-2>R-09( | | MBHO MBP 603A+KA 200N > SD MP-2 > R-09 (24/48) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M > dEdit > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-06-06.mbho.flac16 16-bit download]<br/>[http://www.archive.org/details/tsp2007-06-06.mbho.flac24 24-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Left side, ~10m from stage. Mics DINA in hat (17cm, 90°). | | Left side, ~10m from stage. Mics DINA in hat (17cm, 90°). | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| OKM-IIr>A3>D100 | | OKM-IIr > A3 > TCD-D100 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT-M>CDR | | DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2007-06-06.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| WAV | |||
|- | |||
! align="left" | Equipment | |||
| OKM-IIr > A3 > Nomad JB3 (16/48) | |||
|- | |||
! align="left" | Length | |||
| ~185m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |- | ||
|} | |} | ||
Line 79: | Line 100: | ||
---- | ---- | ||
Soundcheck: | Soundcheck: | ||
* Glass and the Ghost Children | * Glass and the Ghost Children (multiple) | ||
* 7 Shades of Black | * 7 Shades of Black | ||
Set: | Set: | ||
Line 90: | Line 111: | ||
* Home | * Home | ||
* Silverfuck | * Silverfuck | ||
** The End [The Doors] | ** The End (tease) [The Doors] | ||
* Glass and the Ghost Children | * Glass and the Ghost Children | ||
* Rock You Like a Hurricane [Scorpions] | * Rock You Like a Hurricane (tease) [Scorpions] | ||
* For God and Country | * For God and Country | ||
* Thirty-three | * Thirty-three | ||
Line 111: | Line 132: | ||
* Untitled | * Untitled | ||
Encore One: | Encore One: | ||
* Ain't Talkin' 'bout Love (tease) [Van Halen] | |||
* Cherub Rock | * Cherub Rock | ||
* Muzzle | * Muzzle | ||
Encore Two: | Encore Two: | ||
* Gossamer | * Gossamer [26:55] | ||
** Who Do You Love? [ | ** Who Do You Love? (tease) [Diddley] | ||
=== Notes === | |||
* For God and Country, Thirty-three, Rocket, Winterlong, and To Sheila performed acoustic | |||
* Soundcheck is incomplete | |||
* Gossamer and both versions of Glass and the Ghost Children with Uli Jon Roth on guitar | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Suspiria Intro<br> | ||
'''United States'''<br> | |||
'''Bleeding the Orchid'''<br> | |||
BC: Thank you! Thank you. Thank you. We’d like to play.... ''(coughing fit)'' We’d like to play a song, uh, another song, that’s what we’re here to do, to play some songs. We’d like to play a song from the forthcoming album Zeitgeist. Recorded right here in Berlin. Yes. It’s called Neverlost.<br> | |||
'''Neverlost'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
'''Today'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
'''Home'''<br> | |||
'''Silverfuck'''<br> | |||
'''Glass and the Ghost Children''' (with Uli Jon Roth)<br> | |||
(BC after 45 seconds of opening drums: We’d like to bring our friend onstage, Mr. Uli Jon Roth. ... Mr. Uli Jon Roth.)<br> | |||
BC: Thank you, thank you. It’s a great honor for us to play with Uli so we’d like to thank him very much. Germany is a, has of course produced two of the greatest guitar players: Michael Schenker and Uli. Yes.<br> | |||
'''Rock You Like a Hurricane''' (tease) (acoustic)<br> | |||
BC: Alright, I made the same joke yesterday. How’s everybody doing? Ahem, that’s what I always say when I don’t know what to say. This is a song about my country, the United States of America. And Gerhard Schröder. ''(In between each of the next three sentences, Billy starts and then abandons For God and Country.)'' Actually, it’s about Gerhard Schröder’s love affair with America. I believe he cheats on his wife...with America. Is he, is he still the Prime Minister? See what I know, I don’t even know.<br> | |||
Guy in crowd: Ali G!<br> | |||
BC: Ali G? Heh heh. Ali G is the Prime Minister of Germany? Wow. Awesome. Heh heh.<br> | |||
'''For God and Country''' (acoustic)<br> | |||
BC: Yeah.<br> | |||
'''Thirty-three''' (Billy 12-string w/Lisa)<br> | |||
'''Rocket''' (Billy solo acoustic)<br> | |||
'''Winterlong''' (Billy acoustic w/Lisa)<br> | |||
'''To Sheila''' (acoustic)<br> | |||
'''Tonight, Tonight'''<br> | |||
'''Tarantula'''<br> | |||
'''Starz'''<br> | |||
'''Zero'''<br> | |||
BC: Thank you. Let’s all take a deep breath. Ahhhh. Sorry, I don’t speak German. I don’t speak Italian either. Ahem. This is a little song from our Adore (''pronounced “A-door-ray”'') album. It’s a song...about a girl. Heh heh. Go ahead.<br> | |||
'''Annie-Dog'''<br> | |||
BC: Thank you very much for listening tonight. ... Like to play you an ooold song.<br> | |||
'''Drown'''<br> | |||
> '''Hummer'''<br> | |||
'''Lucky 13'''<br> | |||
'''That’s the Way'''<br> | |||
> '''1979'''<br> | |||
'''Disarm'''<br> | |||
'''Untitled'''<br> | |||
[encore break]<br> | |||
'''Ain’t Talkin’ ‘bout Love''' (tease)<br> | |||
'''Cherub Rock'''<br> | |||
'''Muzzle'''<br> | |||
[encore break]<br> | |||
'''Gossamer''' (with Uli Jon Roth)<br> | |||
(BC 20 minutes in: That’s the end of the show. Heh heh heh. There’s no more show. That’s the end of the show, heh heh. Thank you very much, Berlin! Thank you. We send you lots of love. Lots of love, love, love, love... Okay.)<br> | |||
> '''Who Do You Love?''' (tease)<br> | |||
(BC: Who do you love? Me. Who do you love? Me.)<br> | |||
(BC 23 min in: That’s the end of the show. That’s the end of the show. That’s the end of the show! There’s no more show! That’s the end of the show! ''(long scream)'')<br> | |||
(BC 25 min in: That’s the end of the show! That’s the end of the show! ... That’s the end of the show. That’s the end of the show, there’s no more.)<br> | |||
BC: Thank you. Thank you! Thank you. That’s the end of the show.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:Tsp2007-06-06-flyer.jpg|150px|left]] | |||
[[Image:Tsp2007-06-06-setlist.jpg|150px|left]] | |||
[[Image:Tsp2007-06-06_(1).jpg|150px|left]] | |||
[[Image:Tsp2007-06-06_(2).jpg|150px|left]] | |||
[[Image:Tsp2007-06-06_(3).jpg|150px|left]] | |||
[[Image:Tsp2007-EuropeTourShirt-back.jpg|225px|left]] |
Latest revision as of 11:47, 15 November 2020
The Smashing Pumpkins | |
---|---|
Date | 2007-06-06 |
Venue | Columbiahalle |
Location | Berlin, DE |
Venue Type | Cultural Venue |
Capacity | 3500 |
Lineup | Corgan, Chamberlin, Schroeder, Reyes, Harriton |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | WAV |
Equipment | MBHO MBP 603A+KA 200N > SD MP-2 > R-09 (24/48) |
Length | 184m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M > dEdit > FLAC |
Live Music Archive | 16-bit download 24-bit download |
Notes | Left side, ~10m from stage. Mics DINA in hat (17cm, 90°). |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | OKM-IIr > A3 > TCD-D100 |
Length | 184m |
Complete? | No |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | 10 seconds of United States missing due to a mic pullout. |
Unsurfaced Recordings | |
AUD #3 | |
Source | AUD |
Format | WAV |
Equipment | OKM-IIr > A3 > Nomad JB3 (16/48) |
Length | ~185m |
Complete? | Yes |
Setlist
Soundcheck:
- Glass and the Ghost Children (multiple)
- 7 Shades of Black
Set:
- United States
- Bleeding the Orchid
- Neverlost
- Stand Inside Your Love
- Today
- Bullet with Butterfly Wings
- Home
- Silverfuck
- The End (tease) [The Doors]
- Glass and the Ghost Children
- Rock You Like a Hurricane (tease) [Scorpions]
- For God and Country
- Thirty-three
- Rocket
- Winterlong
- To Sheila
- Tonight, Tonight
- Tarantula
- Starz
- Zero
- Annie-Dog
- Drown
- Hummer
- Lucky 13
- That's the Way (My Love Is)
- 1979
- Disarm
- Untitled
Encore One:
- Ain't Talkin' 'bout Love (tease) [Van Halen]
- Cherub Rock
- Muzzle
Encore Two:
- Gossamer [26:55]
- Who Do You Love? (tease) [Diddley]
Notes
- For God and Country, Thirty-three, Rocket, Winterlong, and To Sheila performed acoustic
- Soundcheck is incomplete
- Gossamer and both versions of Glass and the Ghost Children with Uli Jon Roth on guitar
Banter
Suspiria Intro
United States
Bleeding the Orchid
BC: Thank you! Thank you. Thank you. We’d like to play.... (coughing fit) We’d like to play a song, uh, another song, that’s what we’re here to do, to play some songs. We’d like to play a song from the forthcoming album Zeitgeist. Recorded right here in Berlin. Yes. It’s called Neverlost.
Neverlost
Stand Inside Your Love
Today
> Bullet with Butterfly Wings
Home
Silverfuck
Glass and the Ghost Children (with Uli Jon Roth)
(BC after 45 seconds of opening drums: We’d like to bring our friend onstage, Mr. Uli Jon Roth. ... Mr. Uli Jon Roth.)
BC: Thank you, thank you. It’s a great honor for us to play with Uli so we’d like to thank him very much. Germany is a, has of course produced two of the greatest guitar players: Michael Schenker and Uli. Yes.
Rock You Like a Hurricane (tease) (acoustic)
BC: Alright, I made the same joke yesterday. How’s everybody doing? Ahem, that’s what I always say when I don’t know what to say. This is a song about my country, the United States of America. And Gerhard Schröder. (In between each of the next three sentences, Billy starts and then abandons For God and Country.) Actually, it’s about Gerhard Schröder’s love affair with America. I believe he cheats on his wife...with America. Is he, is he still the Prime Minister? See what I know, I don’t even know.
Guy in crowd: Ali G!
BC: Ali G? Heh heh. Ali G is the Prime Minister of Germany? Wow. Awesome. Heh heh.
For God and Country (acoustic)
BC: Yeah.
Thirty-three (Billy 12-string w/Lisa)
Rocket (Billy solo acoustic)
Winterlong (Billy acoustic w/Lisa)
To Sheila (acoustic)
Tonight, Tonight
Tarantula
Starz
Zero
BC: Thank you. Let’s all take a deep breath. Ahhhh. Sorry, I don’t speak German. I don’t speak Italian either. Ahem. This is a little song from our Adore (pronounced “A-door-ray”) album. It’s a song...about a girl. Heh heh. Go ahead.
Annie-Dog
BC: Thank you very much for listening tonight. ... Like to play you an ooold song.
Drown
> Hummer
Lucky 13
That’s the Way
> 1979
Disarm
Untitled
[encore break]
Ain’t Talkin’ ‘bout Love (tease)
Cherub Rock
Muzzle
[encore break]
Gossamer (with Uli Jon Roth)
(BC 20 minutes in: That’s the end of the show. Heh heh heh. There’s no more show. That’s the end of the show, heh heh. Thank you very much, Berlin! Thank you. We send you lots of love. Lots of love, love, love, love... Okay.)
> Who Do You Love? (tease)
(BC: Who do you love? Me. Who do you love? Me.)
(BC 23 min in: That’s the end of the show. That’s the end of the show. That’s the end of the show! There’s no more show! That’s the end of the show! (long scream))
(BC 25 min in: That’s the end of the show! That’s the end of the show! ... That’s the end of the show. That’s the end of the show, there’s no more.)
BC: Thank you. Thank you! Thank you. That’s the end of the show.