Tsp2000-04-28

From SPLRA
Jump to navigation Jump to search
The Smashing Pumpkins
Date 2000-04-28
Venue Patriot Center
Location Fairfax, VA, US
Venue Type Arena
Capacity 10,104
Lineup Corgan, Iha, Chamberlin, Auf der Maur
Order of Bands The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment SS-DSM-6 > PA-6 > M1
Length 132m
Complete? Yes
Lowest Circulating Generation DAT-M > FLAC
Live Music Archive 16-bit download
Notes Dead center, 50 feet back.
AUD #2
Source AUD
Format DAT
Equipment CSBMod > M1
Length 126m
Complete? Yes
Lowest Circulating Generation DDC-? > CDR
Notes SHN filesets labeled as AUD > DAT > CDR are actually AUD #3.
AUD #3
Source AUD
Format MD
Equipment CSBMod > MZ-R55
Length 30m (soundcheck)
129m (show)
Complete? Yes
Lowest Circulating Generation MD-? > CDR (soundcheck)
MD-M > FLAC (show)
Live Music Archive 16-bit download (soundcheck)
16-bit download (show)
Notes Soundcheck recorded from within venue, show recorded from floor near soundboard. Disc swap during god interlude.
AUD #7
Source AUD
Format DAT
Equipment DSM-6S/L > PA-6LC2 > M1
Length ~130m
Complete? Yes
Notes Section 118.
Lowest Circulating Generation DDC(2) > FLAC
Live Music Archive 16-bit download
Release 20220722-Release-2000-04-28AUD7
Unsurfaced Recordings
AUD #4
Source AUD
Format DAT
Equipment SS-DSM-6 > TCD-D7
Length Unknown
Complete? Unknown
AUD #5
Source AUD
Format DAT
Equipment DPA 4061 > M1
Length ~130m
Complete? Unknown
AUD #6
Source AUD
Format DAT
Equipment CSBMod > TCD-D7
Length ~130m
Complete? Unknown
Notes Balcony, above soundboard.

Setlist


Soundcheck:

  • (drum solo)
  • The Crying Tree of Mercury (take one)
  • The Crying Tree of Mercury (take two)
  • The Crying Tree of Mercury (take three)
  • Pug
  • Home (tease)
  • Perfect (tease)
  • Home (tease)
  • With Every Light

Set:

  • Rock On [Essex]
  • The Everlasting Gaze
  • Age of Innocence
  • Glass and the Ghost Children
  • Blew Away
  • Stand Inside Your Love
  • I of the Mourning
  • Zero
  • Heavy Metal Machine
  • To Sheila
  • Blissed and Gone
  • Disarm
  • Ava Adore
  • Mayonaise
  • Tonight, Tonight
  • Today
  • Blue Skies Bring Tears
  • Bullet with Butterfly Wings
    • Once in a Lifetime [The Talking Heads] [7:39]
    • Country Death Song [Violent Femmes] (tease)
    • (improv: "Moshpit Queen")

Encore One:

  • 1979
  • Cherub Rock

Encore Two:

  • With Every Light
  • Drown [8:35]

Notes

  • To Sheila, Blissed and Gone, Disarm, Ava Adore, and 1979 performed acoustic
  • First performance of Blissed and Gone since 1998-07-29

Banter

Rock On
(BC during Iha solo: On the lead guitar, Elian Gonzalez!)
(BC during slow quiet part: Long live rock and roll... That’s right, long live rock and roll. No more boy bands. No more fake titty girl singers. (Iha’s guitar fades out) No more James Iha! I can feel it. I can feel it. I can feel it. Can you feel it? I can feel it. I can feel. They say it’s over but the revolution has just begun. (band kicks back into harder outro)
> The Everlasting Gaze
Age of Innocence
> Glass and the Ghost Children
BC: Good evening, good evening, good evening, good evening, good evening.
Iha: Hello.
BC: Good day, mate. ... Very nice to be back in this area again, it was about a year ago that we played at the, uh, 9 Million Club. How’s everybody doing? We’ll be done in about twenty minutes and then Third Eye Blind and Bush will be out. (crowd roars, then starts booing) No no, I like those guys, stop it. I’d like to introduce, uh, my friend, my lover, my partner, my poetic muse for 13 years: Mr. James Iha.
Blew Away
Stand Inside Your Love
I of the Mourning
BC: Thank you.
Iha: Thank you.
BC: Hey um.. Yes. Yes!
Iha: No.
BC: Yes!
Iha: No. No no no.
BC: Yes yes yes, James.
Iha: No no no. Hmm...maybe.
Zero
Heavy Metal Machine
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
Blissed and Gone (Billy solo acoustic)
> Disarm (acoustic)
BC: On the drums, Mr. Jimmy Chamberlin.
Ava Adore (acoustic)
Mayonaise
Tonight, Tonight
> Today
Blue Skies Bring Tears
> Bullet with Butterfly Wings
> Once in a Lifetime
(BC at 5:19: Can you feel it? Yeah, I can feel it. I mean, after all, this is the capital of the free world, right? This is where it all happens. STOP! STOP!! Okay. I don’t give a fuck about mosh pits any more but this girl has been up here seven fucking times. Just hold her there. Let’s si – no no, keep her there. Let’s just sing the song to you. You obviously want attention so we’re going to give you attention. Keep her right there. (Melissa and Jimmy start playing hoedown music) (singing) There I was in a mosh pit / wearin’ all black / I waved at Billy seven times / He knows I’m comin’ back / ‘Cause I’m a mosh pit queen, a mosh pit queen / Everybody knows my name, I’m a mosh pit queen. (Billy solos) Heh. I don’t know what that is, but uh... (Melissa and Jimmy stop) (Billy plays some light blues licks) Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. God bless.
Iha: (overlapping) Thanks a lot. Thanks very much. Thanks to everybody up there. We appreciate you staying with everybody in the back, everyone in the right. Bye.
[encore break]
Iha: Thank you. Thank you very much. How you doin’? Are you having a reasonable - reasonable rock experience? I’d like to make a quick introduction if we haven’t already many introductions. On acoustic guitar and drums, Mr. Jimmy Chamberlin. He’s back rocking. Lead vocals and guitar, Mr. Billy Corgan. Aye chihuahua. And on...bass and socialism, Ms. Melissa Auf der Maur. Fine bass player.
1979 (acoustic, Jimmy plays guitar)
Cherub Rock
Iha: Thanks. Ow!
[encore break]
Iha: Thank you, thank you very much.
With Every Light (acoustic)
BC: Thank you very much, thank you so very much. We’d like to play one more song for you before we slither off into the night, but uh...before we do that, we wanted to thank you, tell you that we appreciate you coming to our shows, uh, very much.
Iha: You rock.
BC: So yeah, thank you, god bless you and, uh, be safe.
Drown
Iha: Goodnight everybody. Thanks.

Photos & Memorabilia

00XXXX-Shirt.jpg
Tsp2000-04-28-stub.jpg