Tsp2000-01-15: Difference between revisions

From SPLRA
Jump to navigation Jump to search
No edit summary
Dave (talk | contribs)
 
(21 intermediate revisions by 4 users not shown)
Line 6: Line 6:
|-
|-
! align="left" | Venue
! align="left" | Venue
| Lisbon Coliseum
| Coliseum
|-
|-
! align="left" | Location
! align="left" | Location
Line 12: Line 12:
|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Unknown
| Coliseum
|-
! align="left" | Capacity
| 4000
|-
! align="left" | Lineup
| Corgan, Iha, Chamberlin, Auf der Maur
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 25: Line 34:
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| ECM-717>MZ-R30
| ECM-717 > MS702
|-
|-
! align="left" | Length
! align="left" | Length
| 144m
| 135m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
| Yes
| No
|-
! align="left" | Lowest Circulating Generation
| MD-M > dEdit > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2000-01-15.shn 16-bit download]
|-
|-
! align="left" | Lowest Gen
! align="left" | Notes
| MD(?)>CDR
| Balcony. Security duck during Tonight, Tonight. Disc swap during Ava Adore. MD-M > CDR transfer also circulates.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | WWW #1
|-
! align="left" | Source
| WWW
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| TCD-D8
|-
! align="left" | Length
| 35m
|-
! align="left" | Complete?
| No
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
Line 44: Line 76:
|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| Unknown
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| Unknown
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Contains a complete Ava Adore. Inferior to AUD #1.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| ECM-DS70p>MZ-R30
| ECM-DS70p > MZ-R30
|-
|-
! align="left" | Length
! align="left" | Length
Line 55: Line 107:
| No
| No
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" | WWW #1
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
|-
! align="left" | Source
! align="left" | Source
| WWW
| AUD
|-
|-
! align="left" | Format
! align="left" | Format
| DAT
| Unknown
|-
|-
! align="left" | Equipment
! align="left" | Equipment
| D8
| Unknown
|-
|-
! align="left" | Length
! align="left" | Length
| 35m
| ~20m
|-
|-
! align="left" | Complete?
! align="left" | Complete?
Line 73: Line 125:
|-
|-
! align="left" | Notes
! align="left" | Notes
| Is this a soundboard or something??
| Balcony. Taper is busted during Tonight, Tonight.
|-
|-
|}
|}
== Setlist ==
== Setlist ==
----
----
Set:
* Pale Scales
* Pale Scales
* The Everlasting Gaze
* The Everlasting Gaze
Line 83: Line 136:
* Tonight, Tonight
* Tonight, Tonight
* The Crying Tree of Mercury
* The Crying Tree of Mercury
* Main Title (Theme From Jaws) (tease) [Williams]
* I of the Mourning
* I of the Mourning
* I Am One
* I Am One (with rant) [7:29]
** Tonight, Tonight (tease)
* Glass and the Ghost Children
* Glass and the Ghost Children
* Rock On [Essex]
* Rock On [Essex]
Line 92: Line 147:
* Ava Adore
* Ava Adore
* Cherub Rock
* Cherub Rock
 
Encore One:
Encore 1:
* 1979
* 1979
* Disarm
* Disarm
* The Tale of Dusty and Pistol Pete
* The Tale of Dusty and Pistol Pete
 
Encore Two:
Encore 2:
* Glass' Theme
* Glass' Theme
* Bullet with Butterfly Wings
* Bullet with Butterfly Wings
 
Encore Three:
Encore 3:
* X.Y.U. (with rant)
* X.Y.U.
** We Love You (tease)
** We Love You (tease)
* We Love You
** Smells Like Teen Spirit [Nirvana] (tease)
** Smells Like Teen Spirit [Nirvana] (tease)
** Everybody (Backstreet's Back) [Backstreet Boys] (tease)
** Everybody (Backstreet's Back) [The Backstreet Boys] (tease)


Aftershow Music Over PA:
=== Notes ===
* Wound
* 1979, Disarm, and the Tale of Dusty and Pistol Pete performed acoustic
* Blue Skies Bring Tears (Arising! Version from FAEOMM tape)
* Arising version of Blue Skies Bring Tears is played over the PA after We Love You


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
'''Pale Scales'''<br>
'''The Everlasting Gaze'''<br>
> '''Heavy Metal Machine'''<br>
'''Tonight, Tonight'''<br>
> '''The Crying Tree of Mercury'''<br>
BC: Obrigado.  Good evening everyone.  Good evening up there.  We see you up there.  Thank you all - thank you all very much for coming to see us tonight.  It is a pleasure and an honor to be back here with you.  I’m sorry that everyone is so far away, this is not my fault.  I have no control.  Um, like to introduce the band to you.  On lead guitar...Jimi Hendrix!  On the drums, Mr. Jimmy Chamberlin.  On the bass, Melissa Auf der Maur.<br>
'''Main Title (Theme From Jaws)''' (tease - Melissa)<br>
BC: She would be so good then if we - we started a song, heh heh.  You know, like Sabbath, you know.  And I’m, uh, Fred, thank you very much.  We’d like to play a new song for you, this is called uh...uh...it’s from our new album, heh heh, it’s called uh....  It’s called I of the Mourning.<br>
'''I of the Mourning'''<br>
> '''I Am One'''<br>
> '''Tonight, Tonight''' (tease - Billy sings “the impossible is possible tonight, tonight” before his rant)<br>
> '''Glass and the Ghost Children'''<br>
'''Rock On'''<br>
> '''Zero'''<br>
'''To Sheila'''<br>
BC: Thank you very much, thank you, thank you.  ...<br>
Iha: Thank you, thank you.  Thanks, how are you guys doing?  Are you guys okay out there?  Out there in the darkness, does everything sound okay?  Feel okay?  ''(screamed)'' Are you okay?  Alright!  ''(normal)'' I thought I’d make this like a rock concert...bust out for a second, okay.  ''(screamed)'' Another rockin’ song!  ''(normal)'' Thank you.<br>
'''Stand Inside Your Love'''<br>
'''Ava Adore'''<br>
> '''Cherub Rock'''<br>
(BC over extended drum intro with his voice cracking throughout: Ladies and gentlemen of all ages!  Ladies and gentlemen of all ages!  El circus Americano, a dramaticus ruckus, is pleased to present to you, a Smashing Pumpkin production of Cherub Rock.)<br>
Iha: Thanks.<br>
BC: God bless you, god bless you, thank you.<br>
[encore break]<br>
Iha: Thank you, thank you, you guys have been really great.  Thanks.  This is the fun part of the show where Jimmy gets to...not play drums.  I don’t know, we have these strange office chairs.  Do you find that comfortable, Jimmy?<br>
BC: Haha.  These are really uncomfortable.<br>
Iha: No, Jimmy’s got a bad back.<br>
BC: I can’t [unintelligible] it, I’ll deal.  Oh man, hahaha.<br>
'''1979''' (acoustic, Jimmy plays guitar)<br>
BC: Don’t you dare.  Hahahahaha.  Don’t do it, James!  Hahahaha.<br>
'''Disarm''' (acoustic)<br>
'''The Tale of Dusty and Pistol Pete''' (acoustic)<br>
(BC over intro drums: I just can’t deal with the space tool, heh heh heh.)<br>
BC: Thank you.<br>
[encore break]<br>
Iha: Thank you.<br>
'''Glass’ Theme'''<br>
> '''Bullet with Butterfly Wings'''<br>
(BC over ending: We are the Smashing Pumpkins!)<br>
[encore break]<br>
'''short jam where band plays along with crowd chanting'''<br>
'''X.Y.U.'''<br>
> '''We Love You''' (tease)<br>
BC: That’s it, that’s the end of the concert.  Thank you.  Thank you very much.  We have nothing left to give to you.  There’s nothing more that we can offer you!  We’ve run out of ideas...and songs.  There’s no more!!!  ...  That’s it, James, that’s it!  Heh heh, that’s it.  ...  What’s that you say?  What are you saying?  You want more?!  You want more??!!  What?  You want more?  Are you sure you can handle more?  But James has quit already, he doesn’t wanna play anymore, that’s it.  Didn’t you see how tired he was?  Come on, James, you gotta - heh, you heh, you gotta dig deep within you.  Come on!<br>
'''We Love You'''<br>
BC: Alright.  We’re gonna take you on one more trip.  One more trip, one more trip doooooooown.  I don’t know if you’ve heard the news lately but I’m evil.  Heh heh heh.  I’m evil!  Me!  Billy Corgan, I’m evil!  No, I’m serious, I’m evil!  Like this kind of evil.  Heh heh, I’m not joking around.  Alright, we’d now like to do a song for you that has no words, it has no title and you have to help us write this song as we go along.  So we need everything you’ve got left, we’re going to give you everything we’ve got left.  ''(long scream)''  That’s right.  Alright.<br>
<br>
we’re gonna have a real time<br>
we’re gonna find our minds<br>
in the junkpile of this world<br>
that i can’t hardly describe<br>
but i’ve got faith<br>
and i’ve got myself<br>
and sometimes i’ve got you<br>
and that’s good as hell<br>
''(screams)''<br>
<br>
we love you<br>
we love you<br>
we love you<br>
we love you<br>
<br>
that’s right, we love you<br>
<br>
there you go<br>
hold on there, Wildfoot<br>
<br>
i reach for my desire<br>
i reach real far<br>
i may be a stupid american<br>
but I’m trying<br>
‘cause I’m a citizen of this world<br>
and i like...all the boys and all the girls<br>
because it’s just not good enough!<br>
[unintelligible 2 words]<br>
''(screams)''<br>
<br>
we love you<br>
we love you<br>
we love you<br>
oh, we love you<br>
<br>
BC: Okay, hold on.  ''(band gets quieter)''  Shhhh.  Shh.  Hold on, Wildfoot.  Shh, hold on a sec, shhh.  ''(band stops playing)''  Now, you may not know this but James’ real name is Wildfoot and uh, Wildfoot Iha.  And uh, we need to show you what he’s all about.  We wait til the end of the concert because if we put Wildfoot in the middle, there would be no way to follow Wildfoot and it would be the end of the concert.  So seeing as this is the end of the concert, now it is time for Wildfoot.  JC?  ''(band starts again and Iha solos a little, then band stops again)''  Wildfoot needs absolute quiet to achieve his nirvana.  Hold on!<br>
> '''Smells Like Teen Spirit''' (tease - Iha plays about first six notes)<br>
BC: You gotta know the fucking chords first, James!<br>
'''Smells Like Teen Spirit''' (tease - Iha plays first two notes)<br>
Iha: Oh, I forgot, this is a...this is a C guitar, so I can’t play that.  Alright, how about...?<br>
> '''Everybody (Backstreet’s Back)''' (tease)<br>
Iha: Am I original?!  Am I sexual?!  Who’s fuckin’ back?  Uh, what’s - what’s the chorus?  ''(Jimmy and Melissa start We Love You again)''  Um...trying to think of a Backstreet Boys song.  Those fine young boys from America dropped yet another thing online.  I can’t think of anything else to say.  You people have been great.  I wish you the best of luck.  Like the prizefighter of old, I retire.  What was my name again?<br>
BC: Wildfoot.<br>
Iha: Wildfoot.  I wish you the best.<br>
BC: No no, Wildfoot, we got one more in us.  There’s one more to go.  He’ll come back.<br>
<br>
we’re gonna kiss the sun<br>
we’re gonna have some fun<br>
everything’s gonna be real cool<br>
we’re gonna skip school<br>
we’re not gonna listen to anybody who tells us what to do<br>
we’re just gonna do what the fuck we want<br>
we’re gonna say thank you<br>
thank you<br>
thank you<br>
<br>
we love you<br>
we love you<br>
we love you<br>
''(screamed)'' i love you!<br>
<br>
Iha: No really, thanks, goodnight.  Uh, I think if we play any more, we’ll get worse and worse, thank you.  Thanks everybody.<br>
BC: Oh yeah!  Um, by the way, we’ll be back later in the year for some more concerts.<br>
</blockquote>
</blockquote>
== Photos And Memorabilia ==
[[Image:000115-01.jpg|125px|left]]
[[Image:000115-02.jpg|125px|left]]
[[Image:0001XX-Shirtback.jpg|125px|left]]
[[Image:000115-Ticket.jpg|125px|left]]

Latest revision as of 19:44, 8 October 2020

The Smashing Pumpkins
Date 2000-01-15
Venue Coliseum
Location Lisbon, PT
Venue Type Coliseum
Capacity 4000
Lineup Corgan, Iha, Chamberlin, Auf der Maur
Order of Bands The Smashing Pumpkins
Surfaced Recordings
AUD #1
Source AUD
Format MD
Equipment ECM-717 > MS702
Length 135m
Complete? No
Lowest Circulating Generation MD-M > dEdit > FLAC
Live Music Archive 16-bit download
Notes Balcony. Security duck during Tonight, Tonight. Disc swap during Ava Adore. MD-M > CDR transfer also circulates.
Unsurfaced Recordings
WWW #1
Source WWW
Format DAT
Equipment TCD-D8
Length 35m
Complete? No
AUD #2
Source AUD
Format Unknown
Equipment Unknown
Length Unknown
Complete? Unknown
Notes Contains a complete Ava Adore. Inferior to AUD #1.
AUD #3
Source AUD
Format MD
Equipment ECM-DS70p > MZ-R30
Length 54m
Complete? No
AUD #4
Source AUD
Format Unknown
Equipment Unknown
Length ~20m
Complete? No
Notes Balcony. Taper is busted during Tonight, Tonight.

Setlist


Set:

  • Pale Scales
  • The Everlasting Gaze
  • Heavy Metal Machine
  • Tonight, Tonight
  • The Crying Tree of Mercury
  • Main Title (Theme From Jaws) (tease) [Williams]
  • I of the Mourning
  • I Am One (with rant) [7:29]
    • Tonight, Tonight (tease)
  • Glass and the Ghost Children
  • Rock On [Essex]
  • Zero
  • To Sheila
  • Stand Inside Your Love
  • Ava Adore
  • Cherub Rock

Encore One:

  • 1979
  • Disarm
  • The Tale of Dusty and Pistol Pete

Encore Two:

  • Glass' Theme
  • Bullet with Butterfly Wings

Encore Three:

  • X.Y.U. (with rant)
    • We Love You (tease)
  • We Love You
    • Smells Like Teen Spirit [Nirvana] (tease)
    • Everybody (Backstreet's Back) [The Backstreet Boys] (tease)

Notes

  • 1979, Disarm, and the Tale of Dusty and Pistol Pete performed acoustic
  • Arising version of Blue Skies Bring Tears is played over the PA after We Love You

Banter

Pale Scales
The Everlasting Gaze
> Heavy Metal Machine
Tonight, Tonight
> The Crying Tree of Mercury
BC: Obrigado. Good evening everyone. Good evening up there. We see you up there. Thank you all - thank you all very much for coming to see us tonight. It is a pleasure and an honor to be back here with you. I’m sorry that everyone is so far away, this is not my fault. I have no control. Um, like to introduce the band to you. On lead guitar...Jimi Hendrix! On the drums, Mr. Jimmy Chamberlin. On the bass, Melissa Auf der Maur.
Main Title (Theme From Jaws) (tease - Melissa)
BC: She would be so good then if we - we started a song, heh heh. You know, like Sabbath, you know. And I’m, uh, Fred, thank you very much. We’d like to play a new song for you, this is called uh...uh...it’s from our new album, heh heh, it’s called uh.... It’s called I of the Mourning.
I of the Mourning
> I Am One
> Tonight, Tonight (tease - Billy sings “the impossible is possible tonight, tonight” before his rant)
> Glass and the Ghost Children
Rock On
> Zero
To Sheila
BC: Thank you very much, thank you, thank you. ...
Iha: Thank you, thank you. Thanks, how are you guys doing? Are you guys okay out there? Out there in the darkness, does everything sound okay? Feel okay? (screamed) Are you okay? Alright! (normal) I thought I’d make this like a rock concert...bust out for a second, okay. (screamed) Another rockin’ song! (normal) Thank you.
Stand Inside Your Love
Ava Adore
> Cherub Rock
(BC over extended drum intro with his voice cracking throughout: Ladies and gentlemen of all ages! Ladies and gentlemen of all ages! El circus Americano, a dramaticus ruckus, is pleased to present to you, a Smashing Pumpkin production of Cherub Rock.)
Iha: Thanks.
BC: God bless you, god bless you, thank you.
[encore break]
Iha: Thank you, thank you, you guys have been really great. Thanks. This is the fun part of the show where Jimmy gets to...not play drums. I don’t know, we have these strange office chairs. Do you find that comfortable, Jimmy?
BC: Haha. These are really uncomfortable.
Iha: No, Jimmy’s got a bad back.
BC: I can’t [unintelligible] it, I’ll deal. Oh man, hahaha.
1979 (acoustic, Jimmy plays guitar)
BC: Don’t you dare. Hahahahaha. Don’t do it, James! Hahahaha.
Disarm (acoustic)
The Tale of Dusty and Pistol Pete (acoustic)
(BC over intro drums: I just can’t deal with the space tool, heh heh heh.)
BC: Thank you.
[encore break]
Iha: Thank you.
Glass’ Theme
> Bullet with Butterfly Wings
(BC over ending: We are the Smashing Pumpkins!)
[encore break]
short jam where band plays along with crowd chanting
X.Y.U.
> We Love You (tease)
BC: That’s it, that’s the end of the concert. Thank you. Thank you very much. We have nothing left to give to you. There’s nothing more that we can offer you! We’ve run out of ideas...and songs. There’s no more!!! ... That’s it, James, that’s it! Heh heh, that’s it. ... What’s that you say? What are you saying? You want more?! You want more??!! What? You want more? Are you sure you can handle more? But James has quit already, he doesn’t wanna play anymore, that’s it. Didn’t you see how tired he was? Come on, James, you gotta - heh, you heh, you gotta dig deep within you. Come on!
We Love You
BC: Alright. We’re gonna take you on one more trip. One more trip, one more trip doooooooown. I don’t know if you’ve heard the news lately but I’m evil. Heh heh heh. I’m evil! Me! Billy Corgan, I’m evil! No, I’m serious, I’m evil! Like this kind of evil. Heh heh, I’m not joking around. Alright, we’d now like to do a song for you that has no words, it has no title and you have to help us write this song as we go along. So we need everything you’ve got left, we’re going to give you everything we’ve got left. (long scream) That’s right. Alright.

we’re gonna have a real time
we’re gonna find our minds
in the junkpile of this world
that i can’t hardly describe
but i’ve got faith
and i’ve got myself
and sometimes i’ve got you
and that’s good as hell
(screams)

we love you
we love you
we love you
we love you

that’s right, we love you

there you go
hold on there, Wildfoot

i reach for my desire
i reach real far
i may be a stupid american
but I’m trying
‘cause I’m a citizen of this world
and i like...all the boys and all the girls
because it’s just not good enough!
[unintelligible 2 words]
(screams)

we love you
we love you
we love you
oh, we love you

BC: Okay, hold on. (band gets quieter) Shhhh. Shh. Hold on, Wildfoot. Shh, hold on a sec, shhh. (band stops playing) Now, you may not know this but James’ real name is Wildfoot and uh, Wildfoot Iha. And uh, we need to show you what he’s all about. We wait til the end of the concert because if we put Wildfoot in the middle, there would be no way to follow Wildfoot and it would be the end of the concert. So seeing as this is the end of the concert, now it is time for Wildfoot. JC? (band starts again and Iha solos a little, then band stops again) Wildfoot needs absolute quiet to achieve his nirvana. Hold on!
> Smells Like Teen Spirit (tease - Iha plays about first six notes)
BC: You gotta know the fucking chords first, James!
Smells Like Teen Spirit (tease - Iha plays first two notes)
Iha: Oh, I forgot, this is a...this is a C guitar, so I can’t play that. Alright, how about...?
> Everybody (Backstreet’s Back) (tease)
Iha: Am I original?! Am I sexual?! Who’s fuckin’ back? Uh, what’s - what’s the chorus? (Jimmy and Melissa start We Love You again) Um...trying to think of a Backstreet Boys song. Those fine young boys from America dropped yet another thing online. I can’t think of anything else to say. You people have been great. I wish you the best of luck. Like the prizefighter of old, I retire. What was my name again?
BC: Wildfoot.
Iha: Wildfoot. I wish you the best.
BC: No no, Wildfoot, we got one more in us. There’s one more to go. He’ll come back.

we’re gonna kiss the sun
we’re gonna have some fun
everything’s gonna be real cool
we’re gonna skip school
we’re not gonna listen to anybody who tells us what to do
we’re just gonna do what the fuck we want
we’re gonna say thank you
thank you
thank you

we love you
we love you
we love you
(screamed) i love you!

Iha: No really, thanks, goodnight. Uh, I think if we play any more, we’ll get worse and worse, thank you. Thanks everybody.
BC: Oh yeah! Um, by the way, we’ll be back later in the year for some more concerts.

Photos And Memorabilia